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BBA 4: A Revolution in Reality TV Hits Screen

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“Everyone who passes through this door brings happiness, some by entering, some by leaving.” (Words on the door of the Big Brother house).
The long awaited ‘Big Brother Africa 4: The Revolution’ hit the screen on Sunday September 6, and was welcome with excitement across the continent and beyond. This time it has taken various dimensions and twists, leaving viewers on edge while they yearn for more drama and intrigue on the show which can well be classified as a thriller!
The revolution has taken a course, manifesting on September 6th when the Big Brother house was unveiled and the housemates admitted. The house is an architectural masterpiece on the cutting-edge of avant garde; a technological accomplishment which includes over 14,000 metres of cabling – renovating and rebuilding the existing structure took 70,000 bricks, 6 tonnes of cement and 4 tonnes of structural and reinforcing steel!
Polished stainless steel elements sit alongside warm wood tones and rugged stone, whilst canvas drawn paintings share space comfortably with unique graffiti artwork. Bold colours against a backdrop of neutrals provide key focal points throughout the house while wide open spaces allow for a feeling of space and tranquility. Add one gleaming kitchen which could be termed a chef’s dream, with all the modern conveniences, plus an open plan lounge accentuated in leather and luxurious throws, and the house fuses classic design ethics with a fun, easygoing twist.
Other rooms include an elegant bathroom, dormitory styled bedroom, polished dark wood dining area, and the always powerful diary room, which hovers between stern and soothing – the feathery cover of the “hot seat” makes you want to sink further but the framework allows no room for comfort. Meanwhile outside, a decked patio offers cool comfort while the lush garden is offset by the sparkling plunge pool, which is every good diver’s delight (from first-hand experience).
According to Biola Alabi, managing director, M-Net Africa, “whilst this is the Big Brother house, we understand that it’s also home to our housemates so we wanted a space where they would feel welcome, relaxed and at ease. It’s challenging to be in the Big Brother house and the aim with this season was to provide an oasis, to make the house as pleasant on the eye and as accessible as possible. The vision of the show’s design team was clear from the start and, with their creativity and passion, they have made it reality.”
In this revolutionary season of Big Brother Africa, there are 100 microphones and 40 cameras, including manned, remote and miniature ‘lipstick’ cameras, at work.
At the inauguration of BBA 4: The Revolution, DStv viewers across Africa witnessed curious happenings in the Big Brother house. First was the admittance of four ‘mystery guests’ who got viewers thinking the real housemates had arrived. Then came a bout of shock – only male contestants were going to be in the house! Just when everyone was grumbling about the lack of female presence, the host IK Osakioduwa announced that the female housemates were going to be joining them the upper week, much to the relief of the viewers who could not imagine a groovy Big Brother house without African beauties.
Another twist in the entire ‘maze’ was the presentation of two identical twin brothers, Edward and Erastus Mongoo from Namibia, as housemates. But their identities were going to be hidden in the house, and both stand to be evicted should their cover be blown by three housemates. In other words, they both will be existing as an individual, at least from the housemates’ perception.
Within the first 24 hours, the wind of eviction had begun to blow. Big Brother told the housemates in the Diary Room that they had to nominate people for eviction, much to everyone’s surprise. When the confusion had cleared up, Edward had received the most nominations – 6, followed by Hannington and Kaone with 5 apiece. The housemates struggled to recall everyone’s names as they stumbled through the nomination process, shocked at the prospect of losing their newfound friends so soon. The nominations also brought discussions of alliances to the fore, with conspiracy allowed for the first time in the Big Brother competition.
The general format of Big Brother provides interesting demographic and sociological perspectives on human behaviour. Confining 14 people from different backgrounds and countries, with the only connection being the English language, to a house for three months, they are forced to interact with one another. Living together under continuous observation, the programme relies on four basic props for providing these perspectives: the stripped-bare back-to-basics environment in which they live; the evictions; the weekly tasks set by Big Brother and the Diary Room in which the housemates individually convey their thoughts, feelings, frustrations and of course their nominees for eviction. Forced to live with total strangers for three months, Big Brother helps viewers see how people react when they are removed from their usual environment and placed among total strangers. Without the aid of cameras and microphones and the television and the internet, it is not normally possibly to observe such interactions vividly. But with the aid of technology, insights are gained into the motivations and actions of people when removed from their comfort zones and forced to put up with strangers for a lengthy period of time.
BBA housemates this season are drawn from Nigeria, Angola, Botswana, Ghana, Kenya, Malawi, Namibia, South Africa, Tanzania, Uganda, Zambia, Zimbabwe, Mozambique and Ethiopia – a collection of diverse people from countries with different cultures, creating a melting pot of personalities, tempers, and ambitions.
This time you vote to keep your favourite contestants in the house, and not otherwise as in previous seasons. You can do this via www.mnetafrica.com/bigbrother, via the www.mnetafrica.com/bigbrother WAP site on your WAP-enabled phone or via MXIT; and also by texting your favourite housemate’s name to the appropriate number. To vote via text message, send the word ‘Vote ‘followed by the name of your favourite housemate to 34350 for MTN, 34350 for Zain, 34701 for ZOOMmobile, 3435 and 34701 for Glo. Each SMS costs N75, and you can vote 100 times by text per mobile number during each voting period.

 


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Simi to Feature on Glo Sponsored African Voices

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This week, the incredible talents of Nigerian singer, songwriter, and actress Simisola Bolatito Kosoko, better known by her stage name, Simi, will be highlighted on African Voices Changemakers, an interview program sponsored by Globacom on Cable News Network (CNN).

Simi began her career initially as a gospel singer. Her debut studio album, “Ogaju”, was released in 2008. After she got a record deal with X3M Music in 2014, she released the album “Tiff,” which was nominated for a 2015 Headies Best Alternative Song award.

Her debut studio album, “Omo Charlie Champagne”, Vol. 1, was released to mark her 31st birthday on April 19, 2019, and her second album, “Simisola”, was also released the same year. She became the CEO of her own label, Studio Brat, which she launched in June 2019.

Simi was one of the judges of the Season 7 of the Nigerian idol TV show in 2022.

Mother of a girl named Dejare, Simi married popular musician, Adekunle Gold in 2019 having graduated from Covenant University in Ota, Ogun State. Some of her works include “Joromi”, “Know You”, “Jericho”, and “Duduke”.

On Saturday at 8.30 a.m., the 30-minute magazine show will air on the global channel. Reruns can be seen on Saturday at noon, Sunday at 4.30 a.m., and Sunday at 7:00 p.m. Another rerun will air at 4 a.m. on Monday of the following week, 8.30 a.m. and 12 p.m. on Saturday, and 7 p.m. and 9.30 p.m. on Sunday.


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Canal+ Offer for MultiChoice Gains Shareholders’ Support

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Some MultiChoice shareholders have expressed relief at the offer by Canal+ to buy Africa’s pay TV giant for $2.9 billion, essentially viewing the potential deal as a vehicle for them to be rescued from an investment that has turned sour.

Canal+ Offer for MultiChoice Gains Shareholders’ Support

On April 8,, the deal inched closer to being cemented when the board of MultiChoice agreed to cooperate with Canal+, a sign that it was warming to a tie-up with France’s broadcasting conglomerate.

The board initially rejected the offer by Canal+ to buy the MultiChoice shares that it does not already own for R105 each, saying it was too low and undervalued the company’s growth prospects.

But MultiChoice has been convinced to reconsider its position after Canal+ improved the offer to R125 per share. Canal+ already owns 40.01% of MultiChoice shares on the JSE and wants to pay R35-billion to buy the rest of the company and take control of it.

The next big test is whether MultiChoice shareholders will support or reject Canal+’s offer, which requires support from 90% of shareholders to get the multibillion-rand deal over the line.

Daily Maverick canvassed the views of MultiChoice shareholders and industry players about the merits of the deal and whether they planned to throw their weight behind it when it comes up for a vote in the coming months.

Early indications are that some shareholders view the deal as a blessing and an opportunity to bail out from their investment in MultiChoice.

Before Canal+ made a move on MultiChoice, the latter’s share price had been down by 22% as its operations came under pressure from declining DStv subscriber numbers and intense competition from streaming services such as Netflix, Amazon Prime and Disney+.

Its earnings have also taken a hit of billions of rands because of the depreciation of African currencies against the US dollar, especially the Nigerian naira.

MultiChoice also had a run-in with regulators; in Nigeria, it ran into problems relating to outstanding tax payments. In South Africa, competitors including the SABC and eMedia (the owner of e.tv) have complained to regulators, accusing MultiChoice of anti-competitive behaviour and using its dominant position to restrict access to its broadcasting platforms and dictating restrictive licensing agreements.

The investment community response

Anthony Sedgwick, the cofounder of Abax Investments, was withering in his assessment of MultiChoice’s investment prospects. “Put frankly, we were relieved to see Canal+ finally step up and bail us out of the position,” he said.

According to MultiChoice’s latest annual report, Abax Investments held 0.34% of its shares. But Abax recently sold those shares, taking advantage of MultiChoice’s 25% share price jump since Canal+ initially tabled its buyout offer in February.

“We think Multichoice is a great business that produces an incredible variety of content, creates opportunities for so many talented people, supports a huge variety of good causes and is a real South African business champion.

“But it operates in unfriendly regulatory countries … and faces some headwinds from hard currency priced content and broadcast costs,” Sedgwick said.

Asief Mohamed, the chief investment officer of Aeon Investment Management, shared Sedgwick’s concerns about MultiChoice.

“My guess is that the other shareholders will likely accept the R125 offer. Governance has for a long time been a concern of some shareholders, including ourselves,” Mohamed told Daily Maverick.

MultiChoice’s latest annual report puts Aeon’s shareholding in it at 0.43%.

Merits of the deal

Canal+ has argued that the aim of buying MultiChoice would be to combine both businesses to create an entertainment giant that can survive a market facing intense competition and declining advertising revenue.

A combined Canal+ and MultiChoice will boast media businesses in many African countries, from South Africa and Nigeria to Senegal and Cameroon.

Not all investors are pessimistic about MultiChoice, its business fundamentals and investment prospects. In fact, when MultiChoice ran into tax troubles in Nigeria in July 2021, which precipitated a steep decline in its share price (to a low of R115), Argon Asset Management saw it as a buying opportunity. It bought MultiChoice shares and has since maintained its holding in the company to about 0.41%.

Asked why Argon remained bullish about MultiChoice, the asset management firm’s equity analyst, Richard Court, said: “Simplistically, there are two parts to MCG [MultiChoice Group]. There is the mature South African business, which, for the most part, was highly profitable and cash-generative.

“Then there is the business that MCG is building in the rest of Africa, which was actually a drag on profitability, and it was still quite small in the life of MCG from a bottom-line perspective. Nigeria takes up a lot of the bandwidth.

“We think the market was overly pessimistic on the prospects of the rest-of-Africa segment. We thought the market was overreacting to the possibility of a tax penalty coming out of Nigeria. The share price fell back and we just took the buying opportunity. We thought that MCG share was worth more than the levels at the time.”

Court said MultiChoice had managed to defend its premium TV segment (consumers who subscribe to DSTV premium packages) despite the arrival of international streaming services in South Africa.

“It did quite well in the lower segment and in the lower-cost offerings by growing subscriptions in those markets. Management was doing the right thing strategically and executing quite well on that strategy,” he said.

MultiChoice’s investments into Showmax strengthened its defence position, he said.

Argon’s house view is that Canal+’s R125 offer undervalues MultiChoice and its growth prospects.

“At the moment, we are unlikely to accept at R125. In a few years from now, if they’re able to build Showmax and if Nigeria stabilises, which we can’t say when, then I think the outlook for MCG is going to be a lot rosier than what it is now. I think the market would recognise that and that should reflect in the share price,” Court said. He was unwilling to comment on what he thought would be a fair offer from Canal+.

Canal+ said the media industry in which MultiChoice was operating “is becoming increasingly globalised and competitive, with regional media companies having to compete with the firepower of global media titans, with enormous resources to invest in content, marketing and technology…”

With a customer base of 22 million, MultiChoice’s growth strategy involves investing in local and international content for its streaming service, Showmax, and Canal+ is likely to provide capital to fund the growth.

Peter Takaendesa, the head of equities at Mergence Investment Managers, has argued that only companies with scale and a strong balance sheet are likely to survive changes in the entertainment industry.

“Canal+ and MultiChoice can leverage content and financial strength. However, there is still no guarantee of success, as the fight against global streaming giants is intense.”

Other large MultiChoice shareholders are yet to opine on the deal. They include the Public Investment Corporation (PIC), which holds 13%, M&G Investments (more than 7%) and Allan Gray (6%). Allan Gray declined to comment to Daily Maverick, and M&G and the PIC were not available to do so.

Another MultiChoice shareholder that is not ready to express its view on the Canal+ deal is Sanlam Investments, which has a 1.9% interest in the broadcasting company. Sanlam said it opted not to express its stance or intentions “considering the sensitive nature of ongoing negotiations” pertaining to the deal.

“While we understand the importance of transparency and accountability, we believe it is essential to maintain confidentiality and prudence when dealing with such matters,” Sanlam said.

The MultiChoice-Canal+ deal is likely to take two years to be completed, as it still requires regulatory approval.

Credit: Daily Maverick

 

 

 


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FemyWalsh Set to Launch FM Radio in Lagos

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FemyWalsh Limited, media conglomerate, is set to launch its flagship FM terrestrial radio station as it receives its licence from the National Broadcasting Commission (NBC).

FemyWalsh Set to Launch FM Radio in Lagos

This adds yet another media asset to the FemyWalsh group, which already comprises SOUQ News TV, Walsh Radio Online, Terminal Seven Audio-Visual Studio and Walsh Photography.

Victor Walsh Oluwafemi, company CEO, and Dr Idahosa Osamhanze, vice president, were presented with the operational licence by Mr Charles Ebuebu director general NBC at the commission[s  office in Abuja.

This move marks a significant expansion in FemyWalsh’s media footprint and paves the way for broader audience engagement and impact. With the addition of this new licence, FemyWalsh is poised to reach even more viewers and listeners across Nigeria.

The company’s commitment to delivering high-quality content and innovative programming remains unwavering.

According to Oluwafemi, acquiring the terrestrial FM radio licence underscores the group’s ambition of being the largest and most impactful media network across Nigeria, as well as the African region.

“Getting into the terrestrial radio space and securing the operational license represents a pivotal moment for the FemyWalsh group as we continue to evolve and innovate in the media landscape. Radio has long been a powerful medium for reaching diverse audiences, and we are thrilled to leverage this platform to amplify further our mission of empowering SMEs and driving economic growth in Nigeria.”

For his part, Osamhanze, who is the Vice President of the organisation, also made it known that this was a dream come true, and a representation of the company’s dedication to the long-term development of the Nigerian media space. “With this new initiative, FemyWalsh Limited is poised to make a significant contribution to the future of Nigerian media. We are thrilled for the opportunity to foster a thriving media landscape for years to come.”

FemyWalsh Limited is the owner of SOUQ News TV, a digital satellite channel licensed for broadcast in Nigeria and the United Arab Emirates.

The radio licence acquisition comes at a time when SOUQ News TV is experiencing rapid development and expansion, building on its established reputation for excellence in journalism and commitment to serving its viewers.

 

 

 


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