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BBA3: More than just a reality show

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By Sunday, November 23, the curtain will be drawn on Big Brother Africa season 3 (BBA3). Described as “the biggest show on earth”, the Big Brother reality show has a global appeal with variants of this epic reality TV hosted in several countries of the world. The African edition, which premiered in 2003, had a second season in 2007. The third season, which began on Sunday, August 24 when DStv subscribers across Africa watched the live screening of the unveiling of BBA3 housemates stepping into the Big Brother House situated in Johannesburg, South Africa, winds down on November 23 when the winner is expected to be announced.
Prior to the BBA3 debut in Nigeria, a serious debate raged over whether the show should be made available to Nigerians or not. Analysts and commentators argued for and against the programme. Some of the issues bordered on the value of the show and what lessons it hoped to impart to its numerous followers across the continent. While some believed the Big Brother show has got the potential to bring Africa together by acting as a potpourri of cultures, some others believed otherwise, citing the voyeurism-focused aspect of its production, which they claimed, tends to corrupt young minds. Rave reviews of the two previous editions dwelt so much on sexuality of the housemates and their unrestricted liberty to alcohol, cigarette, etc, points which threatened to take away the immense credit Big Brother reality show has as a fusion of African cultures and a barometer to measure our response to one another across the continent as one big African family.
Undaunted by the clamour to ban BBA3, a spirited campaign to sustain the show was mounted by those who enjoyed the “reality” in reality shows being served spontaneously and uncensored. This set of people did many opinion articles to tackle those who agitated against the show, believing that the latest season will pull surprises given its “wild, wicked and wacky” label prior to the debut.
These supporters argued that Nigeria has got more problems to contend with than bothering herself with a mere entertainment program on pay-TV, which is accessible to only a handful of Nigerians who could afford the ‘high’ subscription rate out of a population of about 150 million. Nevertheless, both the enthusiast and the doubters looked forward to incidents that would help strengthen their position or crush the opposition’s argument once the show kicked off.
Over 80 days in the BBA3 House now, media reports have confirmed that the lessons to be derived from the show are many. There has been an opportunity for cultural exchange; a quick reminder of the BBA1 Ugandan housemate, Gaetano Juko Kagwa, who was swapped with a Briton, Cameron Stout, from the Big Brother UK House. Gaetano spent four days in UK, an experience which he relished deeply. In the current season, Zimbabwean Munya Chidzonga swapped places with Finnish Johan Grahn, giving viewers an insight into the Finnish way of life while Munya went to Finland to showcase African culture.
These supporters of BBA had also argued that the Big Brother Africa reality show is the only show currently in the continent that connects all African nations 24/7. They said, though it allows us a sneak peek into the various low and high turns in the lives of the individuals chosen to ‘represent’ Africa, as is true with reality shows, it is discovered that these are human beings like all of us with flesh and blood, who might make mistakes and might seek a chance to correct the mistakes as they move on with their lives outside the Big Brother House. Of course, not all housemates would spend a total of 91 days in the house but most of these ordinary Africans have turned celebrities overnight, and now have to summon courage to take their individual careers and dreams to the next level.
The intrigues in the BBA3 House so far have led to a new wave of interest in the show, as viewers now ask, “whether Big Brother Africa is a mere reality show or a long-lasting training ground for the participants who have been drilled through weekly creative tasks to gauge team work and individual talent?” Big Brother introduced a number of dynamics this season to rev up excitement in both housemates and viewers. The anxiety started mounting right from the first day until all those considered real threats were being gradually evicted from the show. Even at that, viewers’ excitement has been sustained by the quality of programming and content, as Big Brother tasked housemates on global warming, the future of Africa, United Nations’ effort at peace-keeping, sustaining African tradition and value system, parenting, honing individual skills, intergalactic exchange conference, etc.
Overall, viewers have declared the current edition as an unusual expedition for both participants and viewers through comments in the papers and on the Internet. Many who had expected the show this season to concentrate on voyeurism as a selling point have been thoroughly disappointed. Shifting the shower hour to 11:00pm in Nigeria as opposed to the initial 5:00am became necessary to avoid controversy. Yet, that what was considered an integral feature of BBA1 and BBA2 had been tacitly cut out and did not affect the quality of the show so far is a testimony to the fact that the Big Brother reality show is not really about sex but people.
Nigerians were privileged to watch homeboy Uti Nwachukwu play the game with fellow Africans for over 40 days. While some felt he did not fare well, especially when he broke things in the house after Lucille’s eviction, a large number of followers expressed satisfaction that Uti did not disgrace Nigeria in the BBA3 House. He paraded himself as the real ‘big brother’ Nigeria is to other African countries.
Unlike many other reality shows, the Big Brother has brought a lot of innovation into reality television. Reality television, as reality show is also known, is a genre of television programming which presents purportedly unscripted dramatic or humorous situations, documents actual events, and usually features ordinary people instead of professional actors. The term ‘reality television’ started to gain currency in Africa since 2000 with the first season of Big Brother US, although the genre has existed in one form or another since the early years of television dating back to the 1940s. Big Brother Africa show came to inspire many other reality TV shows across the continent.
The Big Brother it was that introduced the cinema verite feel of many of today’s reality shows. It adapted and finetuned the concept of putting strangers together in the same environment for an extended period of time (91 days in the case of BBA) and recording the drama that ensued. It interspersed events on screen with after-the-fact confessionals during a daily Diary Session. Big Brother added to reality television template the idea of competition and elimination, in which contestants battle against each other and are removed from the show through weekly eviction until only one winner emerges. The Big Brother has had a global impact, having been successfully syndicated in dozens of countries across the world. The Nigerian version dubbed Big Brother Nigeria (BBN) held in 2006.
Analysts of reality television have critically observed that viewers of reality television watch the show because of its ability to provide schadenfreude – satisfaction or pleasure felt at someone else’s misfortune or humiliation. They argued that viewers do not watch reality television for precious insight into the human condition but for those awkward scenes that make us feel a smidge better about our own little unfilmed lives.
BBA3 viewers have derived immense pleasure through housemates’ scheming, which helps generate tension in the House. Big Brother adds to the intrigue by introducing twists and changing the rules of the game as he pleases. Some say they have gained a lot from the various tasks assigned the housemates. Some of the tasks stretched their imagination, compelling viewers to rate the housemates and judge them based on their cooperation with one another, establishing an age-old wisdom that team work is a critical factor necessary for survival in life. Viewers are quick in identifying those who are team players and those who are not.
BBA3 housemates danced together, cooked together, shared traditional African folklore together, just the way we love it African-style. These hitherto total strangers tried conscientiously to tolerate each other in the rather unusual environment Big Brother had confined them in. It was a total package; the Big Brother reality show is a lifetime lesson in endurance, patience, tolerance, determination and focus.
BBA reality show affords viewers an insight into the minds of other viewers in distant places, availing them of an opportunity to interact on regular basis on the Oboma network where you can make friends and boost your chances for future social and economic partnerships. The show has justified its rating by giving viewers more than they desired, and in spite of the whittling down of instantaneous actions with new rules and restrictions for the housemates, Nigerians (both on the right and the left wings of the argument for its ban) became the eventual winners when the ‘sanity’ the newly-introduced rules have brought to bear on the screening of the current edition is considered.
The current BBA3 is a great improvement in terms of intrigue, which brings us back to the “wild, wicked and wacky” slogan of this edition. Right from the word go, the 12 housemates made it point-clear they were in the house for the ultimate prize. Though alliances were quickly formed, it was part of the strategies to prevent housemates from nominating each other, especially when a bond of friendship had been tacitly signed.
Nigerian housemate, Uti Nwachukwu (the third BBA3 housemate to be evicted) bestrode the house like the lord of the manor, commanding respect from all other mates. He bullied, cajoled and did pull a few other stunts to register his presence and personality. For all his efforts, he got the Ghanaian Mimi terrified to the point that she sought relief in getting him out of the house at all cost. She eventually achieved her aim.
With just a few days to go in the BBA season 3, viewers have begun to analyze how truly “wild, wicked and wacky” the show has been. And how truly it has been reflective of Africa’s mood towards one another. Whether as a people, our much-touted unity in diversity is a ruse or reality? Through the housemates, we are reminded that Africa is not just about 12 countries, only that these 12 countries are the ones that have representatives in the show. Other African nations support with their comments and votes, thus affirming we are one big family.
Viewers now seem to have a clear indication of who the eventual winner of the $100,000.00 cash prize might be. Angolan Ricco remains the only one on whom every African is willing to stake their money. The young man has been nominated repeatedly without being evicted. His mates who got evicted told Africans he is a strong character without pretensions. Africa loves him and they have demonstrated this love repeatedly by returning him to the House every time he came up for eviction.
Though they range in size, age and character, the housemates, each with his or her uniqueness, have consistently reminded us of our diversity and the need to find unity, peace and economic prosperity in the things that join us together as one people with a common African destiny. BBA3 has been more than a reality show, it is a statement confirming Africa’s destiny as one indivisible entity which must rise together against all odds and emerge soon as world’s super-power.


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OJI Demands Ban on Netflix, TikTok, Others over Same-Sex Content

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Civil Society Organisation (CSO) under the auspices of Open Justice Initiative (OJI), has threatened to drag the National Broadcasting Commission (NBC) to court if it fails to ban Netflix, TikTok, and others over the alleged broadcast of offensive same-sex content on Nigeria’s airwaves.

OJI Demands Ban on Netflix, TikTok, Others over Same-Sex Content

The CSO, also urged NBC to ban other social media platforms, including X, formerly known as Twitter, Facebook, etc with regard to the subject matter.

Donald Ayibiowu, lawyer and programme officer of OJI, gave the warning in a letter addressed to Mr. Charles Ebuebu, director-general of the NBC.

The certified true copy of the letter titled: “Need to ban and bar the continuous broadcast of offensive same-sex contents on Nigeria’s airwaves by Netflix and other specialised broadcast outlets”, made available to newsmen in Abuja, was received by the Commission on April 23, 2024.

The letter said, “We write to draw the esteem attention of your commission to some obnoxious and repugnant same-sex contents being aired or transmitted by some broadcast outfits operating within the Nigeria broadcast space, which platforms includes Netflix and some social media entities.

“These abhorrent contents being campaigned about borders on the promotion of amorous relationships between persons of same sex on the said platforms.

“We received complaints on this topic from well-meaning Nigerians and religious organisations and further discovered that the broadcast contents/materials on these platforms are laced with embedded scenes/episodes where same-sex relationships are practically being propagated.

“We also conducted research on some social media platforms like TikTok, Twitter (X), Facebook (Meta), etc with regards to this subject, and found same hazardous and illegal same-sex content being promoted and transmitted.

“It is clear that there is an agenda to surreptitiously lure the unsuspecting young population of this country to this satanic habit/lifestyle of same-sex practice in Nigeria by subtly introducing same through entertainment and showbiz industry, albeit through the airwaves.

“It is now commonplace to see some of these illegal contents being conveyed on social media and specialised platforms in Nigeria.

“We wish to point out that these contents are clearly being aired or transmitted in contravention of our extant laws such as Sections 4(2) and 5(2} of the Same-Sex Mariage (Prohibition) Act, 2013,” he said.

The lawyer said the act being subtly propagated and promoted via the mediums was targeted at destroying the moral fibre and rectitude, erode, dislodging and polluting the society with unacceptable inhuman values.

He said it was also to erode the age-long cultural practices and sacred religious belief system of male and female gender only as created by God Almighty.

Ayibiowu said, that if the commission failed to block, restrict or scrap the same-sex promotional material/contents from Nigeria airwaves, “we shall proceed to seek further redress in pursuit of our goal of saner Nigeria airwaves”.

 

 


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FCCPC to Review Multichoice’s Tariff Hike

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Federal Competition and Consumer Protection Commission (FCCPC) has promised to review recent price increases in MultiChoice cable subscriptions to ensure subscribers in Nigeria get value for their money.

FCCPC to Review Multichoice’s Tariff Hike

Recall that the leading pay TV operator, recently announced increase in the subscriptions for its DStv and GOtv packages by at least 25 per cent.

Multichoice announced the increase in tarrifs in a message sent to subscribers on Wednesday and said that the new regime will be effective May 1.

The company stated this in the statement signed by John Ugbe, chief executive officer was titled, ‘Price Adjustment on DStv and GOtv Packages.’

The pay-TV firm cited the rise in the cost of business operations as the rationale behind the price increase.

The company said, “We understand the impact this change may have on you – our valued customer, but the rise in the cost of business operations, has led us to make this difficult decision.

“It remains our mission to provide the best entertainment and viewing experience to you and are committed to continue to deliver high-quality content and unparalleled service. So, from Wednesday, 1 May 2024, the price adjustment will take effect.”

But Adamu Abdullahi, acting chief executive officer, FCCPC, in a chat with Channels Television on its Dateline Abuja programme on Thursday, provided an update on the summons issued to the owner of a Chinese store in Abuja accused of discriminatory and sharp practices.

He also commented on the adherence to the order given to the Abuja Electricity Distribution Company, stating that sanctions are imminent for all verified infractions identified by the agency.

 


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NCC Seeks Media Collaboration on Copyright Infringement

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The Nigerian Copyright Commission (NCC) has called for effective collaboration with the media in the country towards tackling the menace of copyright infringements.

The Director-General of the commission, Dr. John Asein, who made the call at a media parley in Ibadan, said while the commission has the power to arrest and prosecute people involved in copyright infringements, it still needs the support of journalists to achieve its aims, maintaining that copyright infringements have negative impact on authors and the society as a whole.

He said: “We need your support to stamp out copyright infringements. This means we all have responsibility.

“We have the power to search, arrest and prosecute. But, we rely on police, NSCDC and other security agencies so as to get it done. We have a good working relationship with the security agencies. The problem of enforcement is real.”

The Executive Secretary, Nigerian Publishers Association (NPA), Mr. Emmanuel Abimbola, in his contributions, urged governors of Southwest states to reduce fees charged on book review for publishers, stating that this will reduce cost of books in the markets which has become a burden to most parents in the country.

He insisted that fees charged on book review by government agencies particularly in the region is becoming exorbitant.

According to him, an official of one of the states once said that the exorbitant fee charged was a means of generating revenue which should not be so because education must be seen as a social service.

He said: “We don’t really have much problem with the government of other region because some of them only charge flat rate for the book review which we publishers are ready to cope with.

“However, we are calling on the government of states in the Southwest to stop the exorbitant fee, it is becoming too much, a situation whereby we are asked to pay N10,000 or N12,000 per book title, by the time you calculated it, it will be going to N2 to N3 million.


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