Broadcasting
ROK Studio to Launch Series on DStv Channel 168

ROK, the award-winning Nigerian film studio and entertainment brand, will launch across Africa on the DStv platform on 1 November 2016.
The Lagos-based film studio, renowned for its original TV series and Nollywood movies, will join the DStv family, bringing exciting original content to 52 countries, 24 hours a day, seven days a week.
The new channel will launch with ROKStudios’ exclusively-produced content, including Festac Town, Banks Chronicles and Bloodline.
ROK will be available to DStv Premium, DStv Compact Plus and DStv Compact customers. Some of the ROK content will also be available on the DStv Catch-Up service.
Nigerian cinema, known colloquially as Nollywood, is the second largest film industry in the world, in terms of production output. In its short history, ROK has become one of the industry’s most prolific producers of new, original content, with arguably Africa’s most extensive Nollywood catalogue of 12 TV series and over 150 movies.
The new, exclusively Nollywood channel will be fully programmed, produced and developed in-house, by ROK’s Lagos-based team. Mary Njoku, award-winning Nollywood actress and film producer who has spent over 12 years at the heart of Nigerian filmmaking, will head the channel, which will also be supported by IROKO, the VC-backed African technology and entertainment broadcaster and content distributor.
Speaking on the launch, Mary Njoku, ROK CEO said, “Joining the DStv family is the next step in ROK’s evolution as Nollywood’s leading film production house and brand. Broadcasting our original content to millions of movie fans across the African continent, on a platform as far-reaching and illustrious as DStv, is an exhilarating prospect.
“What lies beneath every ROK production, the ROK brand, be it movies or TV series, is our fanatical love of African storytelling; we want to relate amazing African stories that our fans can recognise, be swept away by and be entertained with. We work with Nigeria’s most exceptional talent, in front of and behind the camera, and we continue to push the boundaries in terms of production values. This has given us the edge, in our short history, and has helped us build a fanbase around the world. ROK on DStv allows us to bring ROK to every corner of the continent and connect viewers with content they love”.
“One of the cornerstones of our customer promise is to deliver content that our customers love and enjoy, and that is why we’re excited to introduce ROK which will boost DStv’s local content offering and showcase even more African stories made in Africa, for us Africans,” said, John Ugbe, managing director of MultiChoice Nigeria. “This will ensure that our offering keeps the art of storytelling alive on the continent which, will in turn help to grow Africa’s creative industries like Nollywood into vibrant, economic powerhouses.”
Since its launch in 2013, ROK Studios has produced some of Nollywood’s most talked about originals, including Festac Town, Single Ladies, Stalemate, Banks Chronicles and Bloodline. The channel launches with these blockbuster titles, and going forward, ROK viewers on DStv will be the first to watch new and exclusive homegrown ROK content, before it goes anywhere else.
Nollywood is the world’s second largest film industry in terms of output, producing approximately 50 films a week and employs over one million people in Nigeria, and contributes 1.42 percent of Nigeria’s GDP. Prominent themes in Nollywood films include family, religion, love and betrayal.
ROK Studios launched in 2013. ROK Studios is a leading African film and television studio and production house based in Lagos, Nigeria.
ROK specialize in the creation of content in partnership with the industry’s foremost creative talent.
It has developed, produced and financed film and TV series for distribution platforms globally.
ROK owns one of the largest content libraries in Nigeria, with blockbuster films and series, as well as an Animation Studio called ROK Animations Studios.
Broadcasting
NCC Warns DJs: Playing Music Without License Could Lead to 5-Year Jail Term

Nigerian Copyright Commission (NCC) has warned disc jockeys (DJs) against publicly playing music without proper authorization or a valid license.
NAN reports that John Asein, NCC director-general, gave the warning in an advisory issued in Abuja.
He said the commission’s attention had been drawn to the growing practice of DJs playing music in public spaces without obtaining copyright licences from their approved collective management organisations (CMOs).
Asein said under sections 9 and 12 of the Copyright Act, 2022, only the owner of copyright in a musical work or sound recording has the exclusive right to reproduce, perform, or communicate it to the public.
The NCC threatened to prosecute defaulters in a case that could lead to a N1 million fine or a 5-year jail term upon conviction.
“Engaging in any of these acts without the owner’s authorisation constitutes an infringement under the Act,” he said.
“Such infringement may constitute a civil wrong or a criminal offence under section 44 (7), punishable upon conviction by a fine of not less than N1 million or imprisonment for a term of not less than five years or to both.”
Asein advised DJs to obtain the necessary licences and pay royalties to the approved CMO before performing music publicly.
The NCC director-general added that the commission will arrest and prosecute anyone found violating the law.
“For the avoidance of doubt, the approved CMO for musical works and sound recordings in Nigeria is the Musical Copyright Society, Nigeria (MCSN),” he said.
“The Commission is aware that the Disc Jockey’s Association of Nigeria (DJAN), as the umbrella body representing DJs in Nigeria, has entered into a Memorandum of Understanding with MCSN.
“Under the arrangement, DJAN is authorised to work with MCSN to facilitate the payment of royalties by DJs nationwide, based on the tariff that DJAN had negotiated with MCSN.”
Broadcasting
Netflix Hikes Subscription Fees Again in Nigeria over “Market Conditions”

Netflix has increased its subscription fees in Nigeria for the third time since 2024, with the Premium Plan rising by 21.43%, from ₦7,000 to ₦8,500 per month.
This marks the streaming platform’s first price adjustment in 2025.
Other subscription tiers have also been affected.
The Standard Plan now costs ₦6,500, up from ₦5,500—a hike of 18.18%.
The Basic Plan has increased from ₦3,500 to ₦4,000, while the Mobile Plan moved from ₦2,200 to ₦2,500, reflecting increases of 14.29% and 13.64% respectively.
The latest adjustment aligns with Netflix’s broader global pricing strategy, which the company has linked to its ongoing investment in content and platform development. In a previous communication to investors, Netflix stated, “As we invest in and improve Netflix, we’ll occasionally ask our members to pay a little extra to reflect those improvements. Which in turn helps drive the positive flywheel of additional investment to further improve and grow our service.”
While the company did not explicitly cite inflation in its most recent update, its website indicates that local economic factors influence its pricing structure.
“Price changes are made to respond to local market changes, such as changes to local taxes or inflation,” the statement read.
The move mirrors similar pricing shifts among other major digital and entertainment services in Nigeria.
Companies including Google, DSTV, GOtv, and Microsoft have also raised subscription rates, attributing their decisions to continued inflationary pressures and a weakening naira.
Broadcasting
NBC, Nigcomsat Launch Satellite Plan to Transform Broadcasting

National Broadcasting Commission (NBC) and Nigerian Communications Satellite Limited (NIGCOMSAT) have jointly introduced “The Big Picture’, a flagship initiative under Nigeria’s renewed Digital Switchover (DSO) project.
Under the project, Nigerian households will for the first time, gain access to high-quality digital broadcasts via affordable satellite dishes, hybrid devices, and internet-enabled set-top boxes.
Backed by President Bola Ahmed Tinubu and in line with his Renewed Hope Agenda, this strategic shift marks a significant step toward transforming Nigeria’s broadcasting landscape by leveraging the country’s sovereign satellite infrastructure.
At the heart of the initiative is NigComSat-1R, Nigeria’s only communications satellite in orbit, which will play a critical role in delivering Direct-to-Home (DTH) broadcasts across the entire Nigerian territory.
This satellite-first approach eliminates the traditional dependence on terrestrial transmission towers, accelerating the nationwide rollout of digital broadcasting by over 65%.
It also offers a scalable, cost-effective, and future-ready model for expanding digital access and promoting national storytelling.
Key figures, including: Charles Ebuebu, director-general, NBC; and Jane Nkechi Egerton-Idehen, managing director, Nigcomsat, have welcomed this forward-thinking strategy, emphasising its importance in maximising the use of national satellite assets and ensuring inclusive access to digital content.
An estimated 10 million homes equipped with DVB-S2-compatible televisions or decoders will have immediate access to free-to-air channels, while others will benefit from next-generation hybrid devices that combine satellite feeds with online streaming capabilities.
These new branded devices are designed with the country’s youth-dominated demographic in mind over 60% of the population is under the age of 25.
They will feature pre-installed apps, voice search functionality, parental controls, and seamless integration with NigComSat’s Electronic Programme Guide (EPG), offering an intuitive and engaging user experience.
In a data-driven upgrade to Nigeria’s broadcasting ecosystem, NBC is also partnering with global analytics firm GARB to introduce real-time audience measurement technology.
This will enable broadcasters, advertisers and content creators to analyse viewership trends across regions and devices, helping to tailor content more effectively and drive higher audience engagement. The introduction of this system is expected to boost advertising revenue by as much as 300% by 2026.
The success of “The Big Picture” will rely on robust collaboration between public and private stakeholders.
The Broadcasting Organisation of Nigeria (BON) and other content partners are expected to supply 60% of programming for the new 120-channel platform, using both original and repurposed content.
Meanwhile, local manufacturers will contribute by producing around 5 million compliant devices annually, a move projected to create over 20,000 jobs in assembly plants nationwide.
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