Telecom
MultiChoice Brings tvN – Korea’s Number 1 Entertainment Channel to DStv

MultiChoice Group and its counterpart, CJ ENM HK, have announced the launch of Korean entertainment pop up channel tvN Africa on DStv, channel 134 from Monday, 1st March 2021.
This marks the first foray for Korea’s #1 entertainment brand into the continent. tvN is available to DStv Premium, Compact Plus and Compact customers.
tvN is a South Korean global general entertainment network established in 2006. Recognized as the No.1 Content Creator group loved by all ages with novel entertainment shows and well-made dramas, tvN has been Korea’s leading general entertainment channel, as well as in the United States and Asia.
Starting Monday, 1st March, DStv customers will be able to experience the Best Korean Entertainment and world-famous Korean stars, specially curated and packaged in one channel.
The customisation is critical to satisfy fans and attract new audiences. Similar to tvN Asia, the channel will be presented in English and include programs with English subtitles and a dedicated drama slot dubbed in English. There will be fresh hourly programming every weekday from 5:45pm.
John Ugbe, chief executive officer of MultiChoice Nigeria, said “We’re thrilled to have a channel with such a unique content offering join our platforms.
“We are always looking for ways to provide value for our customers and tvN will do just that by giving Nigerian viewers a chance to explore South Korean lifestyle through entertainment. Through the quality of its rich stories the channel broadens the already extensive range of viewing options we have on DStv for variety of audiences.”
Commenting also on the launch, Michael Jung, managing director of CJ ENM Hong Kong, said: “It is evident Hallyu fever is on the rise in Africa.
“We are very thrilled to partner with MultiChoice, the leading pay-TV provider in Africa, to be the first Korean entertainment Brand to launch on DStv.
“We will do our best to bring all the premium Korean entertainment to the fans.
Here’s some of what viewers can look forward to on the new channel:
Love is in the air for all K-drama fans every Monday to Wednesday 5:45pm starting with Another Miss Oh, a romantic series about two women who not only share the same name Oh Hae-young, but they also share a destiny with the same man, Park Do-kyung, who can see the future.
On Thursday and Friday, tvN Africa offers DStv viewers K-POP Hour with an exciting slew of Korean Music Variety programs including the ultimate survival variety program I-LAND (Every Thursday, at 5:30pm), led by Bang Si-hyuk, BTS’ producer and founder of Big Hit Entertainment, hosted by actor Namkoong Min, together with Rain and Zico as producers.
The show follows the creation process of the next-generation K-pop boy group. Fans of NCT should not miss NCT World 2.0 (Every Friday, 5:45pm), the first reality series starring all 23 members of NCT (including their new additions Shotaro and Sungchan) as it showcases each member’s talents and charms, as well as the group’s perfect chemistry as they clear missions to travel through time and space.
Continue the night with Cheese In A Trap (Every Monday – Friday, 7pm), a romantic series adopted from the popular webtoon of the same name starring Park Hae-jin, Kim Go-eun, Seo Kang-joon and Nam Joo-hyuk. Look out for Super Junior’s Choi Si-won as a son of a wealthy family who has never bothered to make any specific life goals until he meets Baek Joon (Kang So-ra) in Revolutionary Love coming up after that in March.
Every weekday night at 8:15pm, subscribers can look forward to a dedicated Korean drama slot dubbed in English starting with Encounter, an “opposite-attracts” story that follows the complicated romance between a free-spirited ordinary man (Park Bo-gum) who seems to have nothing and the wealthy CEO (Song Hye-kyo) of a hotel who seems to have everything but is unhappy with her life. Tale of the Nine Tailed, a romance fantasy drama that tells the story of a fearless producer (Jo Bo-ah) determined to hunt down a nine-tailed fox (Lee Dong-wook) who goes after evils that disrupt the order of the human world. will premiere in March after Encounter.
End your evening with some action. Signal (Every Monday – Friday 9:30pm), a crime thriller featuring Kim Hye-soo, Lee Je-hoon and Choi Jin-woon. The series connects a criminal profiler from present day 2015 to a detective from 1989 via a mysterious walkie talkie to tackle crime and injustice. Coming up after Signal is a gripping and highly addictive crime melodrama, Watcher starring Han Suk-kyu, Seo Kang-joon, Kim Hyun-joo.
Visit www.dstvafrica.com or follow DStv on Twitter, Facebook and Instagram to keep up with all the updates. Also, get the DStv App which is available for download on Apple and Play stores and can be used on up to 5 devices at home or on the go!
Telecom
MTN’s ₦31.75Bn Investment in Health Lauded at Arthur Mbanefo Lecture

MTN Foundation has been spotlighted as a model for private sector-driven healthcare development in Nigeria, following commendations at the 6th Arthur Mbanefo Lecture held at the University of Lagos, Akoka.
Themed “A Healthy Nation is a Wealthy Nation: The Role of Impact Investments and Sustainable Financing in Nigeria,” the lecture featured Dr. Tolulope Adewole, Managing Director of NSIA Advanced Medical Services Limited (MedServe), as keynote speaker.
Dr. Adewole praised the Foundation’s strategic investments, noting that MTN commits 1% of its profit after tax annually to development sectors. “They’ve invested ₦31.75 billion, reaching over 32 million Nigerians. Though only 25% went to health, it accounted for 51% of all lives impacted. That’s catalytic,” he said.
He cited MTN’s dialysis centre programme as a transformative intervention for patients with kidney disease, and highlighted community-focused initiatives like the Y’ello Doctor mobile scheme and ‘What Can We Do Together’ (WCWDT) programme, which revitalised 164 Primary Healthcare Centres, including 44 in 2024 alone.
Executive Director of MTN Foundation, Odunayo Sanya, reflected on the COVID-19 pandemic’s exposure of systemic health vulnerabilities. “When COVID hit, we realised a health emergency is also an economic and social emergency,” she said.
Sanya revealed that of the 52 PHCs remodeled in 2024, only one had clean water. “I’m not a doctor, but I know you can’t live a good life without clean water,” she added, reaffirming the Foundation’s commitment to bridging healthcare gaps in underserved communities.
Telecom
PIN to Empower 20 Million Youths with New Digital Rights Board Game

Hundreds of university students across Africa are set to benefit from a new gamified learning experience on digital rights and inclusion launched by the leading pan-African non-profit organisation, Paradigm Initiative (PIN).
The Digital Rights and Inclusion Board Learning Experience (DRIBLE) is a game developed by Paradigm Initiative with support from the Open Society Foundations (OSF). The custom-designed board game provides young individuals with a fun and engaging entry point into digital rights and inclusion conversations, training sessions and storytelling tools.
The board game aims to build digital literacy, deepen understanding of online safety, and introduce young individuals to the organisation’s tools of impact. Currently being piloted in three universities: University of Lagos, Nigeria, the Catholic University of Eastern Africa (CUEA) in Nairobi, Kenya and the Dakar American University of Science and Technology (DAUST) in Dakar, Senegal, it will enhance interactions and create a holistic experience.
Speaking at the event launch at the University of Lagos, Nigeria, ‘Gbenga Sesan, Paradigm Initiative’s Executive Director, said: “PIN’s vision is to reach 20 million people through our Digital Inclusion and Digital Rights interventions. From Lagos, to Dakar, to Nairobi.. we will use the vehicle of our new Digital Rights and Inclusion Board Learning Experience (DRIBLE) which entails using gamification, training, multimedia materials, tools and other interventions to connect African youth with digital opportunities and protect their digital rights.”
‘Gbenga gave the keynote address on “Digital inclusion at PIN, our Past, Present and Future” and Nnenna Paul-Ugochukwu, the organisation’s Chief Operating Officer, said the goal of the learning experience would be instrumental in raising awareness of digital rights among the youth, building their capacity to address digital rights and inclusion issues in their communities. Prof. Olunifesi Adekunle Suraj shared a goodwill message with the students and other stakeholders.
Paradigm Initiative, which has been operational since 2007, started in a tiny cybercafe in Ajegunle, Lagos, Nigeria. Today, the organisation has expanded its wings to cover six African countries; Cameroon, Kenya, Nigeria, Senegal, Zambia and Zimbabwe, impacting the livelihoods of over 150,000 young Africans.
The launch of DRIBLE builds on the progress the organisation has made over the years in tackling the challenge of digital exclusion across Africa.
Paradigm Initiative’s tools of impact include Ripoti, a platform that enables individuals to report digital rights violations, Ayeta, a platform that provides digital security resources for stakeholders, more so human rights activists, defenders, journalists and other vulnerable groups, and the organisation’s latest short film, Whispers in the Wires.
Targeted at students, PIN rolled out a Campus Tour in the three universities on the continent starting July 15th, 2025.
Telecom
Meta Cracks Down on Fake Accounts, Deletes 10m Profiles

Meta, the parent company of Facebook, has intensified its crackdown on fake accounts and spam, announcing it removed over 10 million fake profiles and roughly 500,000 spam accounts in the first half of 2025.
The sweeping purge is part of Meta’s broader effort to combat impersonation, fake engagement, and content duplication, aiming to elevate authentic creators and improve the quality of content across its platforms.
In a blog post, Meta said: “We’re making progress. In the first half of 2025, we took action on around 500,000 accounts engaged in spammy behaviour or fake engagement. We also removed about 10 million profiles impersonating large content producers.”
Meta stressed that accounts which primarily repost or recycle content without meaningful edits will face penalties such as reduced reach and the loss of monetisation tools.
The company also warned that repeatedly sharing unoriginal content — whether videos, photos, or text — undermines the platform’s integrity by crowding out genuine voices and making it harder for new creators to grow.
To support authentic creators, Meta is rolling out new tools that automatically trace reposted content back to its original source. The company says this will help ensure rightful credit and give higher visibility to original posts.
“Pages and profiles that post mostly original content tend to enjoy wider distribution across Facebook. Simply stitching clips together or adding a watermark will no longer count as meaningful editing. Content that provides real value and tells an authentic story is likely to perform better,” Meta explained.
Creators are also being cautioned against uploading content that includes watermarks from other platforms. Such posts could see their reach restricted or lose monetisation privileges altogether.
As part of its latest update, Meta introduced post-level insights on the Professional Dashboard, allowing creators to monitor how individual posts perform. They can also check their Support Home screen to see if their content or earnings are facing restrictions.
In a parallel development, Google’s YouTube updated its monetisation guidelines, stating that content deemed mass-produced or excessively repetitive will no longer qualify for ad revenue. The announcement initially sparked concern among creators, who feared it was a blanket ban on AI-generated content. YouTube later clarified:
“We welcome creators using AI tools to enhance their storytelling, and channels that use AI in their content remain eligible to monetise.”
Both tech giants say these new policies are aimed at raising content standards and safeguarding genuine creators in a crowded and rapidly evolving digital landscape.
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