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Coca-Cola Foundation Doles out $300,000 Grant to Train 5,000 Women on Transformative Skills

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In a bid to improve the lives of women across Lagos State, Nigeria; Karis and Eleos Hand of Hope Foundation has announced the launch of the second edition of its women empowerment programme themed ‘Catalyst for Change 2.0’ – an initiative funded by The Coca-Cola Foundation.


L-R:Jerome Oyebanji, Public Affairs & Communications Manager, Nigerian Bottling Company (NBC); Nwamaka Onyemelukwe, Director, Public Affairs, Communications & Sustainability, Coca-Cola Nigeria Limited; Uche Ogbonna, Senior Manager, Social Impact Strategy for Africa Operating Unit, The Coca-Cola Company; Bukola Bamiduro, Founder/Program Director, Karis & Eleos Foundation, and Emmanuel Bamiduro, Chairman, Karis & Eleos Foundation, at the launch of Catalyst For Change 2.0, powered by The Coca-Cola Foundation, on October 4, 2021.

The press briefing had in attendance respectable members of the Nigerian media, The Coca-Cola System leadership and key stakeholders including Nwamaka Onyemelukwe, Director, Public Affairs, Communications and Sustainability, Uche Ogbonna, Senior Manager, Social Impact Strategy for Africa Operating Unit, The Coca-Cola Company, Ifeyinwa Ejindu, Communications Manager, Coca-Cola Nigeria Limited, Jerome Oyebanji, Public Affairs and Communications Manager, Nigerian Bottling Company, community heads and women leaders from the five project locations, alongside other corporate guests.

Karis and Eleos Hand of Hope Foundation is a non-profit organisation with a focus on empowering women and girls, especially those living in rural communities with no access to opportunities.

Bukola Bamiduro, Founder/Program Director, Karis & Eleos Hand of Hope Foundation, emphasized the importance of the ‘Catalyst For Change 2.0’ project, stating its role in ensuring the empowerment of underserved women and youth in Nigeria.

She said: “We are proud to continue this impactful programme and make a meaningful contribution to the lives of more women and girls in the country. We extend our gratitude to The Coca-Cola Foundation who has remained steadfast in its commitment to this project”.

Ekuma Eze, Director, Public Affairs and Communications, Nigerian Bottling Company, represented at the press conference by Jerome Oyebanji, Public Affairs and Communications Manager, Nigerian Bottling Company, added:

“We are delighted to continue what has been a fruitful partnership with Karis and Eleos Hand of Hope Foundation.

“Poverty alleviation and women and youth empowerment remain key priorities for the Coca-Cola System in Nigeria.

“The Catalyst for Change programme was developed to ensure that these key areas are addressed in the communities we call home and we are truly proud of the results achieved so far”.

As part of plans for a successful edition, Catalyst for Change 2.0 will extend to women and youth in communities across Surulere, Alausa/Agidingbi, Ijora, Agege and Onigbongbo in Lagos state for a 10 month period starting October 4, 2021.

The program, aimed at reducing the harsh economic impact of the COVID-19 pandemic, seeks to reduce the migration of rural women to urban areas by empowering them with business and life skills that will elevate them from extreme poverty and encourage their migration back to their local communities.

“Empowering women to thrive is a global commitment for The Coca-Cola Foundation”, said Saadia Madsbjerg, President of The Coca-Cola Foundation.

“Our ultimate goal is to lift women out of poverty and into lives of self-sufficiency by focusing on those community programs offering education, skills training, financial literacy and mentoring, such as the Catalyst for Change 2.0 programme”.

The programme plan will adopt two training models which include hands-on training classes (such as baking, bagmaking, shoemaking, hairstyling, makeup artistry, tie & dye design and production of household cleaning items) and business classes which will provide training around the foundations of running a successful business; personal and product branding; accounting; bookkeeping and finance management; recruiting customers; leveraging social media; accessing loans and grants; gender-based violence and recycling.

During the inaugural programme in 2020 themed “Catalyst for Change”, Karis and Eleos Hand of Hope Foundation, funded by The Coca-Cola Foundation, successfully equipped 5,000 women and girls across five communities (Sangotedo, Oworonshoki, Ogijo, Iwaya and Magboro communities) with transformative vocational skills while 1,000 beneficiaries were presented with business start-up kits to kickstart their businesses and earn a living.

The success stories and testimonials recorded during the recently completed monitoring and evaluation exercise indicated a highly successful campaign, which contributed to the funding of the second edition of the programme by The Coca-Cola Foundation through a grant of $300,000 to empower yet another set of 5,000 women across five communities in Lagos State.

The Catalyst for Change 2.0 programme will use education through skills acquisition as an agent of change in the lives of women in Nigeria. Education is recognised as the most effective tool to tackle large-scale poverty entrenched in various parts of the world and this project seeks to leverage education to help eliminate poverty and inequality, reduce unemployment, raise incomes, and improve standards of living.

 

 


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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Court Upholds AVRS Legal Rights to Licence Audiovisual Works in Hotels

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Federal High Court sitting in Abuja has upheld the statutory right of the Audiovisual Rights Society of Nigeria (AVRS) to licence hotels and other business establishments for the public use of audiovisual works (movies and films) transmitted within their premises via Pay-TV subscriptions.

Court Upholds AVRS Legal Rights to Licence Audiovisual Works in Hotels

This is a landmark judgment that reaffirms the rights of Nigerian copyright holders and strengthens the creative ecosystem.

Justice Obiora Egwuatu, who gave the judgment, dismissed the case filed by Reiz Continental Hotel Limited against AVRS, where the hotel sought a declaration that it could not be compelled to pay copyright fees for audiovisual content (movies and films) accessed through subscription-based broadcasting.

In the ruling delivered on Thursday, July 24, the court held that AVRS, by virtue of its status as assignees of copyright in several audiovisual works, and approved collective management organisation (CMO) pursuant to Section 88 of the Copyright Act 2022, had demonstrated the legal basis of its licencing activities, and was entitled to issue copyright licences to users of audiovisual works belonging to it, including the Plaintiff (Reiz Continental Hotel Limited). Abuja Formula 1 Grand Prix ticketsNigerian cuisine recipes

The court rejected the claims of Reiz Continental Hotel that it was merely a recipient of broadcasts from a pay subscription television service, and therefore not liable to any licence from AVRS.

It held that the activities of Reiz Continental Hotel, operating a hospitality business, which is profit-driven, and possessing several television sets, which transmit audiovisual content, were carried out in contravention of sections 11(b), (c) and (f) of the Copyright Act in respect of the rights held by AVRS.

The court also held that the acts of transmission of audiovisual works by Reiz Continental Hotel, since done in the context of business, were in contravention of section 36(1)(a) and (g) of the Copyright Act, unless licensed by AVRS.

According to the court, the provision of section 36(1)(g) of the Copyright Act, 2022, renders a person liable for infringement of copyright for performing or causing to be performed for the purposes of trade or business or the promotion of a trade or business, any work in which copyright subsists.

The court further held that participation in a collective licencing agreement by the Hotel Owners Forum Abuja (HOFA), of which Reiz is a member, was binding on Reiz and stopped it from denying the validity of the agreement with AVRS.

Speaking on the judgment, Mike O. Akpan, legal counsel to AVRS and principal partner, Alpha-Edge Legal, said that the judgment is not only a legal victory for AVRS and its members, but also a significant affirmation of Nigeria’s commitment to upholding copyright law and protecting creative enterprise. Nigerian cuisine recipes

He added that it establishes a strong precedent for copyright enforcement across the hospitality sector and other commercial users of protected content.

Reacting to the landmark judgment, Mr. Mahmood Ali-Balogun, chairman of AVRS, said: “This judgment is a profound moment for members of AVRS. It affirms the legitimacy of our collective licencing structure and ensures that copyright owners in the film and movie sector are rightfully protected under the law.

“AVRS has always approached licencing with openness, fairness, and a readiness to dialogue. Today’s court decision is a win for our members, the film industry, for Nigerian creators, and for the nation. It strengthens the foundation upon which the creative economy can grow and attract investment.”


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NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

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Nigeria Data Protection Commission (NDPC) has refused to release details of the data and privacy rights violation for which it fined MultiChoice Nigeria, despite receiving a Freedom of Information (FOI) request from FIJ.

NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

FIJ otherwise Foundation for Investigative Journalism, is an independent, not-for-profit organisation that combats injustice, holds power to account and speaks for the voiceless.

In its announcement on July 6, the NDPC said it had fined MultiChoice Nigeria N766,242,500 for breaching the data and privacy rights of subscribers and even those who are not necessarily subscribers.

FIJ emailed the data protection commission an FOI request on July 9.

The commission acknowledged the receipt of the email that same day and added: “It has been forwarded to the relevant department and we would respond soon.”

Fifteen days later, FIJ got no other response from the NDPC.

In Nigeria, FOI requests have a seven-day timeframe, and it starts counting as soon as a public institution receives a request for public information.

FIJ understands that holidays, which include a Sunday and a public holiday, are to be excluded in the computation of the timeframe.

The receiving institution is mandated, within those seven days, to either provide the requested information or explain in detail why it is unable to do so based on the provisions of the FOI Act.

Established under the Nigeria Data Protection Act 2023, the NDPC’s tasks include safeguarding data privacy, enforcing regulations and promoting responsible data handling in the country.

When the Commission announced the N766.2 million fine against MultiChoice Nigeria, it said the company had violated the privacy rights of subscribers and allowed the illegal cross-border transfer of personal data of Nigerians.

MultiChoice Nigeria operates through various subsidiaries, such as DStv and GOtv. The NDPC said it launched an investigation into the company in the second quarter of 2024.

“NDPC found, among others, that Multichoice violated the data privacy rights of subscribers and their friends who are not necessarily subscribers,” the statement issued by NDPC read in part.

“The Commission also found that Multichoice carries out illegal cross-border transfer of personal data relating to data subjects in Nigeria. The depth of data processing by Multichoice is patently intrusive, unfair, unnecessary and disproportionate.”

FIJ’s FOI request aimed to understand the extent of the data and privacy breaches committed by MultiChoice Nigeria, the remedial measures directed by the NDPC and the specific channels through which the company collected the personal data of Nigerians.

Two weeks after the request was submitted, the NDPC has refused to respond.

Section 7, sub-section 4, of the Freedom of Information Act (2011) states, “Where the government or public institution fails to give access to information or record applied for under this Act or part thereof within the time limit set out in this Act, the institution shall, for the purposes of this Act, be deemed to have refused to give access.”

According to the Act, where a case of wrongful denial of access is established, the defaulting officer or institution commits an offence and is liable on conviction to pay a N500,000 fine.

At the time of this report, there was no publicly documented case of the NDPC granting an FOI request to share more details after an investigation.

In 2023, FIJ detailed how the Nigerian government often violated the FOI Act. Journalists at top newspapers in the country noted that government agencies had a habit of disregarding FOI requests, despite being legally obligated to respond.


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Spotify RADAR Africa Turns the Volume Up on FOLA and Thakzin

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Spotify is turning the spotlight toward the next wave of African music innovators with its latest RADAR Africa picks: Nigerian Afrobeats talent FOLA and South African Afro House DJ and producer Thakzin. As part of Spotify’s ongoing commitment to discovering and amplifying emerging voices across Sub-Saharan Africa (SSA), RADAR continues to champion boundary-pushing artists shaping the sound of tomorrow.

FOLA, born Folarin Odunlami, first caught attention with his freestyles on social media, quickly making a name for himself with his blend of Afrobeat rhythms and soulful storytelling. His breakout EP What A Feeling, featuring the Bella Shmurda-assisted hit “Who Does That,” laid the foundation for a fast-rising career that now includes collaborations with BNXN, Magixx, and BhadBoi OML. “Looking at where I’m coming from, I see every opportunity as a blessing. So, it’s a blessing to have been selected, just like others before me,” says FOLA. “I want my fans to know that in the midst of all the noise, I made something they could truly connect with, feel and share with those who mean something to them. I want everyone who listens to at the very least, recognise that they’re witnessing the early days of something truly special.”

On the southern tip of the continent, Thakzin’s journey began in Ivory Park, Johannesburg, where early jazz and kwaito influences, plus a deep respect for traditional percussion, shaped his signature sound. With co-signs from Black Coffee and international tastemakers like Laurent Garnier, his genre-defying approach to Afro House, heard in his 2023 anthem “The Magnificent Dance,” is setting global dance floors alight. Following the release of Magnificent Dance, his version of Horns In The Sun by DJ Kent became a viral hit across South Africa and gained global traction, potentially surpassing the success of Magnificent Dance itself. Thakzin’s sound is rooted in African spirituality and healing, inspired by the rhythmic power of traditional drums. Shaped by a musical upbringing and guided by his father, a keyboardist, he blends rich harmonies with percussive elements to create an immersive Afro-house experience. His music evokes emotion, movement, and ancestral energy, anchored in freedom and African expression. In recognition of his role in shaping 3-step, Thakzin was the first cover artist of Spotify’s 3 STEP playlist.

Spotify RADAR isn’t just a platform, it’s a launchpad. It reflects Spotify’s commitment to empowering local artists across SSA and delivering the best listening experience in the region. From Lagos to Johannesburg, RADAR celebrates the diversity of talent on the continent, offering artists equal access to global audiences.

“At Spotify, we believe in the power of African storytelling through music. FOLA and Thakzin are both incredibly unique artists who represent the spirit of RADAR—fresh voices with global potential,” says Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa. “By amplifying their journeys, we hope to inspire more creators across the continent to believe in their vision and reach for bigger stages.”

With FOLA and Thakzin stepping into the spotlight, one thing is clear: Africa’s future sound is already here, and Spotify is where you find it first.


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