Broadcasting
Here are Five Exceptional Rising African Stars that joined Spotify RADAR Programme

Spotify, global streaming gianton Friday announced the latest RADAR Africa artists – joining a global cohort as part of the programme dedicated to driving the discovery of emerging artists across the world. This year’s list of African artists is made up of the haunting melodies of Bloody Civilian, the soulful sounds of Baaba J, the ethereal vocals of Xenia Manasseh, the genre-defying Tyla, and the fierce energy of Ria Sean.
The all female lineup joins last year’s alumni Ayra Starr, DBN Gogo, Black Sherif, Victony, BNXN and Buruklyn Boyz who were all exposed to new fan communities as a result of the programme. They represent a wide range of styles, from the ambient sounds of West Africa to the masterful Amapiano of South African townships, R&B, alternative and the creative Afropop that has been taking the world by storm. What they all share is a commitment to pushing boundaries and forging new paths in their careers.
Since launching in 2020, Spotify’s RADAR programme has continued supporting artists on their paths to superstardom, helping rising talent at all stages of their development and strengthening their connection to audiences. These African artists joining the Spotify RADAR programme represent the very best that the continent has to offer.
“As the music industry continues to evolve, it’s essential to find new ways to support emerging talent and offer them a fair chance at success both on and off the platform. So we are thrilled to welcome Xenia Manasseh, Bloody Civilian, Ria Sean, Tyla, and Baaba J to the RADAR programme. These artists represent the diversity and vibrancy of the African music scene and we are excited to support them as they continue to grow their careers,” says Victor Okpala, Spotify’s Artist and Label Partnerships Manager, West Africa.
From today, Spotify will prioritise the promotion of RADAR playlists, RADAR podcasts, Spotify Singles, and priority releases from RADAR artists across all regions.
About the artists
Bloody Civilian (Nigeria)
Born and raised in Abuja, Nigeria, Bloody Civilian is a genre-defying singer-songwriter and producer with a passion for storytelling. Inspired by her African heritage and a wide range of musical influences, Civilian’s sound is a fusion of alt-R&B and other genres. She began studying music production at the age of 12 and has since self-produced her debut single, How To Kill A Man. Bloody is driven by a desire to empower and elevate African art and history through her music, making her a rising star to watch in the industry.
Ria Sean (Nigeria)
Ria Sean is a rising Nigerian singer-songwriter who combines Afro-fusion, pop, and R&B into her music. With a distinctive and versatile voice, she has collaborated with artists like Leriq, Moelogo, and Adekunle Gold. Her 2020 hit single Lemonade gained international attention, and she went on to release her debut EP Fluid featuring productions from Saszy, Dunnie, and Grammy-nominated producer TMXO. Her sophomore project Love Station features collaborations with Ayra Starr and French-act Yseult. Ria Sean is a rising star to watch in the R&B scene.
Baaba J (Ghana)
Baaba J is a 22-year-old Ghanaian singer and songwriter with a passion for music and film. Her alternative afro music blends indigenous high life, pop, rap, and soul, with a unique sound that has won the hearts of many. Baaba J’s debut EP, Lumumba St., released in December 2020, was the major launchpad for her career. She draws inspiration from her childhood experiences, growing up in a big family in Ghana’s harbour city Tema. Her music speaks to meaningful matters such as culture, love, and identity, and she is on a mission to show the world that Africans, especially African women, have what it takes to take the world by storm with their unique, multi-faceted music.
Xenia Manasseh (Kenya)
This Kenyan singer-songwriter, possesses a captivating voice that brings a refreshing and pure sound to the music scene. Her debut EP Fallin’ Apart, released in 2019, quickly soared to number one on the Kenyan’s R&B/Soul charts and reached an impressive #2 across all genres. Xenia’s talent extends beyond her own music, as she has songwriting credits on notable tracks like Teyana Taylor’s “Wrong B*tch” and “Shoot it Up” ft Big Sean, as well as Vanjess’s Surrender from the album “Homegrown.” She has collaborated with acclaimed artists such as Sauti Sol, Mr Eazi, Tay Iwar, and has contributed background vocals on Burna Boy’s “Time Flies.” With her genre-defining R&B sound, Xenia Manasseh is making waves not only in Kenya but also in the top markets of the US, UK, Germany, and South Africa.
Tyla (South Africa)
Tyla’s music is a fresh take on pop and R&B, blending South African amapiano and innovative production. Her emotionally-rich songs started at a young age and have led to international success with hits like Getting Late. Her new singles, Been Thinking and To Last, showcase her versatility and push her artistry forward. Tyla was determined to unlock what had always been inside her. “Getting Late” was the breakthrough, and her late 2021 song “Overdue” featuring DJ Lag and Kooldrink soundtracked the second-season trailer of Netflix’s South African teen drama Blood & Water, but “Been Thinking” and “To Last” find Tyla in full control of her own story, especially the emotional “To Last.”
Broadcasting
CCPT Dismisses Class Action Suit against MultiChoice over Tariff Hikes

Competition and Consumer Protection Tribunal (CCPT) in Abuja has dismissed a class action suit filed by one Uche Diala and 961 other DStv and GOtv subscribers against MultiChoice Nigeria and the Federal Competition and Consumer Protection Commission (FCCPC), citing lack of jurisdiction.
The suit challenged MultiChoice’s subscription price increases in November 2023 and May 2024, which the claimants described as arbitrary, exploitative, and unfair.
Diala and others sought to reverse the hikes and compel the company to adopt a more flexible billing model, such as a pay-as-you-view system used in other countries like South Africa.
They also accused MultiChoice of price discrimination against Nigerian consumers.
MultiChoice, through its counsel, raised a preliminary objection, arguing that pricing decisions do not fall within the tribunal’s remit and that the suit was improperly filed as a class action without first seeking the tribunal’s leave.
In its ruling on Thursday, the tribunal’s three-member panel led by Justice Thomas Okosun held that the core issues raised, which were pricing and tariff regulation, fall under the exclusive purview of the executive branch, particularly the President, as stipulated under the Price Control Act.
“The issue of price regulation is a matter that falls within the exclusive purview of the President of the Federal Republic of Nigeria,” Okosun stated.
While the tribunal acknowledged it holds both original and appellate jurisdiction under the FCCPC Act, it emphasized that such authority does not cover general price control unless abuse of market dominance is established—a point the claimants failed to prove.
On the procedural matter of filing a class action without prior approval, the tribunal noted that although it is ideal to obtain leave, failure to do so was not fatal in this instance since the claimants demonstrated a shared grievance and common interest.
Nonetheless, the tribunal upheld MultiChoice’s objection, ruling that it lacked jurisdiction to adjudicate the matter.
“The preliminary objection of the first defendant succeeds,” the panel held. “This suit is accordingly struck out for want of jurisdiction.”
This ruling follows a similar outcome on May 8, when a Federal High Court in Abuja upheld MultiChoice’s price increases after the company sued the FCCPC.
In that judgment, Justice James Omotoso declared that the FCCPC lacked the authority to fix or suspend subscription rates.
Broadcasting
MultiChoice Nigeria Slashes Decoder Price by 50 Percent, Offers Free Upgrades

MultiChoice Nigeria has slashed the price of its DStv decoder from N20,000 to N10,000, representing a 50 percent drop, in a aim at attracting attract more customers and curb declining subscriptions.
The campaign, titled “We’ve Got You,” was launched on June 16 and will continue until July 31.
Also, as part of its efforts to ease economic pressure on households and improve access to digital TV services, the campaign offers a free upgrade for both active and returning customers.
Speaking on the campaign, John Ugbe, chief executive officer (CEO) of MultiChoice Nigeria, said the initiative reflects the company’s commitment to rewarding loyalty and enhancing daily viewing experiences.
“We want to ensure our customers feel appreciated and have access to the best entertainment every day,” Ugbe said.
“The ‘We’veGot You’ campaign is about making premium content more accessible and showing that DStv offers something for everyone, not just football fans.
“By repositioning itself as a platform for daily value, DStv aims to encourage content discovery across a wider array of genres, including movies, drama, kids’ programming, and news.
“This means more channels, more shows, and more reasons to tune in every day.”
The development comes amid MultiChoice Nigeria’s legal battle with the Federal Competition and Consumer Protection Commission (FCCPC) over price hike.
Broadcasting
Qatar Airways Top Brass Face Court Action in Nigeria Over FCCPC Charges

Federal Competition and Consumer Protection Commission (FCCPC) will, on Oct. 7, arraigned the Chief Executive Officer (CEO) of Qatar Airways, Mr Temi Birdzell, alongside the company and its top officers, over allegations bordering on breach of FCCPC Act, 2018.
The defendants will be arraigned before Justice James Omotosho of the Federal High Court in Abuja.
Others to be arraigned with Birdzell are Stella Ihediwa, the Account Manager of the airline; Kennedy Chirchir, the Country Manager and Eva Ojeje, who is the Sales Manager of the company.
Although the arraignment was scheduled for Tuesday, the matter could not proceed.
Upon resumed hearing, none of the defendants was in court.
When the matter was called on Tuesday, none of the defendants was in court due to improper service of the court documents, including the hearing notice, on them.
FCCPC.’s lawyer, Chizenum Nsitem, told the court of their inability to serve four of the defendants, although the company was served.
Nsitem then sought an adjournment to enable them do the needful and the judge adjourned the matter until Oct. 7 for the defendants to take their plea.
The News Agency of Nigeria (NAN) reports that the commission, in the charge marked: FHC/ABJ/CR/200/2025, dragged Qatar Airways, Birdzell, Ihediwa, Chirchir and Ojeje to court as 1st to 5th defendants respectively.
FCCPC, in the application dated May 26 but filed May 27, had preferred a two-count charge against the defendants.
The defendants were alleged to have failed to appear before FCCPC in compliance with a lawful summons of the commission dated Sept. 6, 2024, and thereby committed an offence contrary to and punishable under Section 33 (3) of the Federal Competition and Consumer Protection (FCCPC) Act, 2018.
They were also accused to have on Sept. 18, 2024, intentionally withheld the production of documents in compliance wth a lawful summons of the commission, thereby committed an offence contrary to and punishable under Section 111 of FCCP Act, 2018.
In count three, they were alleged to have on Sept. 18, 2024, engaged in the contravention of the consumer rights, thereby committed an offence contrary to Section 124(1) and punishable under Section 155 of the same Act.
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