Broadcasting
MTN Foundation Brings Soyinka’s Death and the King’s Horseman to Terra Kulture
The MTN Foundation, in partnership with Bolanle Austen-Peters Productions is bringing Wole Soyinka’s Death and the King’s Horseman to the Terra Kulture stage.
The play which is scheduled to hold on May 13 – 16 features seasoned actors including Mawuyon Ogun, Olarotimi Fakunle, Moshood Fattah and Fares Boulos (Oyibo Rebel).
Death and the King’s Horseman is a story about colonialism and a clash of cultures which is based on a true incident that happened in Oyo State in 1946.
It tells the story of the ‘Elesin Oba’, the king’s chief horseman, who is mandated by custom to commit ritual suicide after the death of the King and Simon Pilkings, the colonial district officer, who when the king dies, decides to intervene and stop the Elesin Oba from committing ritual suicide, in what he sees as a barbaric custom.
This partnership is in furtherance of the MTN Foundation’s goal to preserve Nigerian stories while positively showcasing Nigeria’s many beautiful cultures.
Death and the King’s Horseman is one of the three theatre productions the Foundation has supported in the first half of this year. Others include Tony Wants to Marry, a drive-in theatre performance in Lagos and Abuja and Ibiom: When Doves Fly, a stage play in Akwa Ibom State.
Speaking on the specific relation of Death and the King’s Horseman to the Foundation’s goal, Odunayo Sanya, Executive Secretary, MTN Foundation, stated, “Death and the King’s Horseman is a very important Nigerian story.
“It is based on true events and is written by one of Nigeria’s most respected writers. It also centres a very interesting theme of cultural relativism and begs the question of whether there exists an objectively moral culture.
“Stories such as these which do not only entertain but compel reflection on who we are, what our values are or were must not be lost.
“At the MTN Foundation, we believe that while we continue to evolve as a collective, we must not lose sight of our history and culture.
“This is one of the reasons we have remained committed to both the preservation and positive projections of our stories by supporting their being handed down from generation to generation.
“In addition to the three productions already sponsored in the first half this year, we are also sponsoring OMG: The Musical and Flower. We are excited to see how these great stories will be received.”
Bolanle Austen-Peters has also shown commitment to this vision and since establishing the Bolanle Austen-Peters Productions, stayed true to telling stories that are both authentically Nigerian and culturally important.
She has, however, never failed to acknowledge the role of the private sector in ensuring these stories are told excellently and express gratitude to MTN for its work in seeing to their actualisation, in spite of the challenges in the pandemic, “I want to thank MTN and all the MTN team for their continued support.
“It’s very difficult for anyone to sponsor anything in this season but somehow we all made this work.”
Death and the King’s Horseman joins the long list of successful projects the MTN Foundation has partnered with Bolanle Austen-Peters Productions on including Wakaa the Musical, Saro the Musical, Oluronbi the Musical, among others.
The organisers have emphasised strict commitment to the COVID-19 guidelines issued by the State and Federal Governments and have urged everyone who intends to attend any of the shows to come wearing their face masks.
Women Radio 97.1, in partnership with the Centre for Journalism Innovation and Development (CJID) and the Voice of Women Empowerment Foundation, has made history by unveiling “NIM”, Nigeria’s first Women Radio Intelligent Virtual Assistant.’
The unveiling took place during the 2024 Women Radio Summit, signalling a transformative era for radio broadcasting in Nigeria.
The initiative, which integrates artificial intelligence into traditional radio broadcasting, represents a paradigm shift in how radio content is created, distributed, and consumed. In her welcome message, Toun Okewale Sonaiya, CEO of Women Radio 97.1, shares her aims to inspire others into AI’s future, expand access to reliable information, and enhance the listener experience by blending advanced technology with human-centred communication.
The event featured some keynote speeches from:
Toyosi Akerele-Ogunsiji, founder of Rise Network, emphasised the role of science and technology in empowering women and reshaping media landscapes.
Adedeji Adekunle, programmes director of the Nigeria Media Innovation Program, discussed the critical intersection of AI, innovation, and media development in Nigeria. As well as
Sam Onigbanjo, managing director of AI Academy for Beginners, enumerates ways to upskill for maximum integration.
The summit featured an insightful panel discussion on how artificial intelligence can enhance journalism and broadcasting while upholding ethics and professionalism. Esteemed panellists included:
Motunrayo Alaka, executive director of the Wole Soyinka Centre for Investigative Journalism, stressed the need for maintaining ethical standards in AI-driven journalism.
Kayode Okikiolu, a Channels TV anchor, discussed the integration of AI in traditional media formats to engage broader audiences and highlighted AI’s potential in diversifying content delivery and improving inclusivity in media.
A highly recommended fact-checking resource was the Dubawa.ai chatbot, an app that was showcased at the summit to verify and debunk misinformation, analyse, transcribe, and document files in archives. It is the radio monitoring feature, an initiative of the Centre for Investigative Journalism Innovation and Development (CJID).
‘NIMI’, the Women Radio Intelligent Virtual Assistant, is the brainchild of technical engineer Tayo Kalejaiye.
This revolutionary AI radio host is designed to provide seamless interactions with listeners, offering valuable resources, news updates, and support for both on-air and online delivery. By combining AI with traditional broadcasting, ‘NIMI’ aims to enhance accessibility, ensuring that diverse voices are amplified and underserved communities are reached.
QNET, a global wellness and lifestyle company, proudly celebrates the remarkable achievement of Anup Debnath, a 51-year-old fitness enthusiast, ardent user of QNET products, and resident of New Jersey, USA, who recently attempted to set a Guinness World Record as the oldest person to perform continuous back handsprings.
Debnath’s feat underscores the power of balanced health and wellness to maintain peak physical performance at any stage of life.
On October 19th, at the Marlboro Township Recreation Center, Debnath completed 20 continuous back handsprings, a remarkable testament to his strength, stamina, and unwavering discipline.
His journey back into gymnastics after nearly 27 years highlights the potential of a balanced lifestyle supported by QNET’s wellness products, demonstrating that age is no barrier to achieving extraordinary physical goals.
“To accomplish something like this at my age takes intense dedication, a consistent fitness regimen, and harmony of mind, body, and spirit,” Debnath shared.
“For the past two years, I’ve relied on the Amezcua Chi Pendant 4 with Amezcua Resonance Technology (ART) to keep me centered and energized.
Paired with other Amezcua products, like the Bio Disc 3, which energizes my food and structures the water I consume, giving me mental and physical balance, and the Bio Light 3, which aids in recovery by alleviating pain and discomfort after intense training, these products enhance my overall well-being and empower me to push my limits.”
QNET’s Chief Marketing Officer, Trevor Kuna, extended his heartfelt congratulations: “Anup’s achievement is extraordinary, and we are incredibly proud to have played a part in his journey.
“His belief in QNET’s Amezcua products reflects our mission—helping people achieve balance and wellness in every aspect of their lives.
“Anup’s story is a testament to discipline, resilience, and holistic well-being. We celebrate his inspiring feat and his commitment to greatness.”
QNET’s Amezcua Chi Pendant 4, which utilizes ART, is designed to support wearers in achieving holistic well-being by harmonizing physical, emotional, and mental energies.
Through Debnath’s achievement, QNET encourages individuals to explore how Amezcua technology can support their wellness journey at any stage in life, empowering them to achieve their own physical and mental potential.
House of Representatives has called on the Federal Government to enforce a minimum capital base of N500 billion for electricity distribution companies (DisCos) to continue operations.
The lawmakers argue that only financially robust DisCos can ensure efficient service delivery and maximum consumer satisfaction.
This resolution was passed during Wednesday’s plenary following a motion by Ibrahim Isiaka, a representative from Ogun State.
Isiaka criticized the current operations of DisCos, describing their actions as a threat to the economic stability and welfare of Nigerians.
He highlighted consumer complaints regarding the replacement of electricity meters, noting that DisCos often demand additional payments despite consumers already financing the installation of meters.
Isiaka expressed concern over the financial burden this places on households and businesses struggling with economic challenges.
The motion also raised issues of consumer trust, alleging that DisCos operate with impunity and disregard for consumer rights, despite oversight from the regulatory authorities and the House Committee on Power.
The lawmakers unanimously adopted the motion through a voice vote conducted by Speaker Tajudeen Abbas.
They urged the Ministry of Power to take immediate steps to address the “reckless actions” of DisCos, labeling them as non-state actors threatening Nigeria’s economy.
The House further mandated the recapitalization of DisCos to a minimum of N500 billion, insisting that only financially capable operators should be allowed to continue providing electricity services.
Additionally, the House Committee on Power was directed to investigate the activities of DisCos to ensure accountability and protect consumer rights.
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