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Nigerian Idol: Faith Mac and Dotun Eliminated as Top 9 Emerge

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Faith Mac and Dotun have been eliminated from the Top 11 stage of the Nigerian Idol competition after scoring the least votes in the first round of public voting.

During the live show on Sunday, May 16, show’s host IK Osakioduwa, reeled out the names of the contestants who made it through to the Top 9 stage of the competition, with each lucky contestant having the chance once again to prove their mettle with their song selection.

This week’s performances had the surviving contestants perform covers of songs composed by their music idols, while the judges – Seyi Shay, DJ Sose, and Obi Asika – watched in the capacity of audience members as the power to save and eliminate contestants had since left their hands.

Kingdom, who revealed that he idolised ‘Teni The Entertainer’, handed in a percussion-backed rendition of the hit song “Uyo Meyo”, which was well-received by the audience. DJ Sose remarked that he seemed very comfortable with the song and Seyi Shay noted that the performance was emotive.

Daniel went with a rendition of James Arthur’s “Empty Spaces”, which Seyi Shay criticized for lacking verve. Obi Asika was also critical of the song arrangement, but DJ Sose was of the opinion that he did a good job. Faith Jason, dressed in an all-red attire, performed a cover of Jon Bellion’s “All Time Low”, the same song that he had performed at the auditions, and the judges loved it even more this time around; Seyi Shay couldn’t contain her excitement.

Beyonce, who disclosed her admiration for the K-Pop band BTS, elected to perform a cover of the track “Dynamite”, with assistance from the live band. DJ Sose commended her for showing her playful side, and Obi Asika noted her growth through the stages of the competition.

Emmanuel, who had clearly become a fan favourite, rendered a soulful cover of Labrinth’s “Beneath Your Beautiful”, which was lauded by Obi Asika for the palpable emotion. Seyi Shay described it as “captivating”, and DJ Sose remarked that he would fare better as a live performer, in comparison to a studio recording.

The sixth contestant to be saved by the viewers was Akunna, the entertainment lawyer. Dressed in a glowing red gown, she took on the difficult task of covering Beyonce’s “XO”, but her strong voice carried the performance. The judges lauded her vocal range, as well as her stage presence.

The voters also appeared to show kindness to Clinton, who put his vocals to the test with John Legend’s “Tonight”, with some help from the live band. Seyi Shay felt that the delivery was not “natural”, but praised him for his vocals. On his part, DJ Sose felt that he “owned” the song.

There was a fleeting moment where IK Osakioduwa goaded the judges to disclose which of the remaining contestants would be saved, if it was up to them. Both Obi Asika and DJ Sose went with Francis and Comfort, but Seyi Shay decided to plead the fifth.

Also getting saved by the voting public was Francis, who chose to perform Sam Smith’s “Writing On The Wall”, the theme song for the James Bond film Spectre. It’s always difficult to match the energy of a Sam Smith song, but Francis pulled it off brilliantly, much to the applause of the judges: Obi Asika described his voice as a “lethal weapon.”

The ninth and final contestant to earn nods from the viewers on the night was Comfort, who found it difficult to control her emotions on learning that she had made it to the next stage. This meant that for Dotun and Faith Mac, their respective journeys at Nigerian Idol Season 6 had come to an end.

For her performance, Comfort went with a cover of Adekunle Gold’s “Ire.” The first few seconds were fraught with nerves, but she recovered quickly to deliver a strong performance, which Seyi Shay praised for the confidence displayed.

At this stage of Nigerian Idol Season 6, power is solely in the hands of the viewers, as they get to determine who stays and who leaves. You can vote for your favourite contestant via the Africa Magic website and mobile site by selecting contestants of your choice and entering your number of votes and click VOTE. Voting via these platforms are limited to 100 votes per user.

You can vote via the MyDStv App and MyGOtv Apps. Votes are free and are allocated based on your subscription packages. You can also send an SMS of your favourite contestants’ number to 32053, which costs N30 per SMS. Votes via SMS are limited to 100 votes per user and participating networks are Airtel & 9mobile. The voting window closes at 9pm on Wednesday, May 19, 2021.

Nigerian Idol Season 6 is sponsored by Bigi Drinks and Tecno Mobile. They can also follow this season of Nigerian Idol via the DStv app on multiple devices at no additional cost. The app is available for download on iOS and Android devices.

 

 


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

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NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

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Nigeria Data Protection Commission (NDPC) has refused to release details of the data and privacy rights violation for which it fined MultiChoice Nigeria, despite receiving a Freedom of Information (FOI) request from FIJ.

NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

FIJ otherwise Foundation for Investigative Journalism, is an independent, not-for-profit organisation that combats injustice, holds power to account and speaks for the voiceless.

In its announcement on July 6, the NDPC said it had fined MultiChoice Nigeria N766,242,500 for breaching the data and privacy rights of subscribers and even those who are not necessarily subscribers.

FIJ emailed the data protection commission an FOI request on July 9.

The commission acknowledged the receipt of the email that same day and added: “It has been forwarded to the relevant department and we would respond soon.”

Fifteen days later, FIJ got no other response from the NDPC.

In Nigeria, FOI requests have a seven-day timeframe, and it starts counting as soon as a public institution receives a request for public information.

FIJ understands that holidays, which include a Sunday and a public holiday, are to be excluded in the computation of the timeframe.

The receiving institution is mandated, within those seven days, to either provide the requested information or explain in detail why it is unable to do so based on the provisions of the FOI Act.

Established under the Nigeria Data Protection Act 2023, the NDPC’s tasks include safeguarding data privacy, enforcing regulations and promoting responsible data handling in the country.

When the Commission announced the N766.2 million fine against MultiChoice Nigeria, it said the company had violated the privacy rights of subscribers and allowed the illegal cross-border transfer of personal data of Nigerians.

MultiChoice Nigeria operates through various subsidiaries, such as DStv and GOtv. The NDPC said it launched an investigation into the company in the second quarter of 2024.

“NDPC found, among others, that Multichoice violated the data privacy rights of subscribers and their friends who are not necessarily subscribers,” the statement issued by NDPC read in part.

“The Commission also found that Multichoice carries out illegal cross-border transfer of personal data relating to data subjects in Nigeria. The depth of data processing by Multichoice is patently intrusive, unfair, unnecessary and disproportionate.”

FIJ’s FOI request aimed to understand the extent of the data and privacy breaches committed by MultiChoice Nigeria, the remedial measures directed by the NDPC and the specific channels through which the company collected the personal data of Nigerians.

Two weeks after the request was submitted, the NDPC has refused to respond.

Section 7, sub-section 4, of the Freedom of Information Act (2011) states, “Where the government or public institution fails to give access to information or record applied for under this Act or part thereof within the time limit set out in this Act, the institution shall, for the purposes of this Act, be deemed to have refused to give access.”

According to the Act, where a case of wrongful denial of access is established, the defaulting officer or institution commits an offence and is liable on conviction to pay a N500,000 fine.

At the time of this report, there was no publicly documented case of the NDPC granting an FOI request to share more details after an investigation.

In 2023, FIJ detailed how the Nigerian government often violated the FOI Act. Journalists at top newspapers in the country noted that government agencies had a habit of disregarding FOI requests, despite being legally obligated to respond.


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Spotify RADAR Africa Turns the Volume Up on FOLA and Thakzin

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Spotify is turning the spotlight toward the next wave of African music innovators with its latest RADAR Africa picks: Nigerian Afrobeats talent FOLA and South African Afro House DJ and producer Thakzin. As part of Spotify’s ongoing commitment to discovering and amplifying emerging voices across Sub-Saharan Africa (SSA), RADAR continues to champion boundary-pushing artists shaping the sound of tomorrow.

FOLA, born Folarin Odunlami, first caught attention with his freestyles on social media, quickly making a name for himself with his blend of Afrobeat rhythms and soulful storytelling. His breakout EP What A Feeling, featuring the Bella Shmurda-assisted hit “Who Does That,” laid the foundation for a fast-rising career that now includes collaborations with BNXN, Magixx, and BhadBoi OML. “Looking at where I’m coming from, I see every opportunity as a blessing. So, it’s a blessing to have been selected, just like others before me,” says FOLA. “I want my fans to know that in the midst of all the noise, I made something they could truly connect with, feel and share with those who mean something to them. I want everyone who listens to at the very least, recognise that they’re witnessing the early days of something truly special.”

On the southern tip of the continent, Thakzin’s journey began in Ivory Park, Johannesburg, where early jazz and kwaito influences, plus a deep respect for traditional percussion, shaped his signature sound. With co-signs from Black Coffee and international tastemakers like Laurent Garnier, his genre-defying approach to Afro House, heard in his 2023 anthem “The Magnificent Dance,” is setting global dance floors alight. Following the release of Magnificent Dance, his version of Horns In The Sun by DJ Kent became a viral hit across South Africa and gained global traction, potentially surpassing the success of Magnificent Dance itself. Thakzin’s sound is rooted in African spirituality and healing, inspired by the rhythmic power of traditional drums. Shaped by a musical upbringing and guided by his father, a keyboardist, he blends rich harmonies with percussive elements to create an immersive Afro-house experience. His music evokes emotion, movement, and ancestral energy, anchored in freedom and African expression. In recognition of his role in shaping 3-step, Thakzin was the first cover artist of Spotify’s 3 STEP playlist.

Spotify RADAR isn’t just a platform, it’s a launchpad. It reflects Spotify’s commitment to empowering local artists across SSA and delivering the best listening experience in the region. From Lagos to Johannesburg, RADAR celebrates the diversity of talent on the continent, offering artists equal access to global audiences.

“At Spotify, we believe in the power of African storytelling through music. FOLA and Thakzin are both incredibly unique artists who represent the spirit of RADAR—fresh voices with global potential,” says Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa. “By amplifying their journeys, we hope to inspire more creators across the continent to believe in their vision and reach for bigger stages.”

With FOLA and Thakzin stepping into the spotlight, one thing is clear: Africa’s future sound is already here, and Spotify is where you find it first.


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Paradigm Initiative Applauds Malawi’s Judiciary for Outlawing Criminal Defamation

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Paradigm Initiative (PIN) commends the decision by the High Court of Malawi, sitting as the Constitutional Court (ConCourt), which finds that section 200 of the Penal Code of Malawi, criminalising defamation, is unconstitutional. This follows a unanimous ruling by Justices Chifundo Kachale, Fiona Mwale, and Mzondi Mvula.

The decision by the three-judge bench concludes a case brought by Joshua Chisa Mbele against the Director of Public Prosecutions and the Attorney General, where the latter leveled charges against Mbele for alleged defamatory statements made regarding a public official in Malawi. In his defence, Mbele challenged the constitutionality of section 200 of the Penal Code of Malawi, which criminalised defamation, arguing that this provision infringed the right to freedom of expression as provided for under section 35 of the country’s Constitution, as well as running counter to Malawi’s obligations under regional and international human rights law.

In its commendable ruling, the ConCourt upheld the right to freedom of expression enshrined in the Malawian Constitution and described the punishment of imprisonment, as outlined in Section 200 of the Malawi Penal Code, as having a “chilling effect on public discourse and democratic participation.” In a ruling delivered on July 16th, 2025, the court said it did not find Section 200 of the Malawi Penal Code reasonable or necessary in light of the civil remedies available to deal with defamation.

PIN celebrates this win, having expressed concerns in the past over Malawi’s repressive laws through the Londa report on the state of digital rights and inclusion in Malawi and a joint advocacy statement calling for the repeal of laws infringing on freedom of expression.

PIN hopes that this decision will stir the legislature in Malawi to repeal laws that have a bearing on freedom of expression such as the Electronic Transactions and Cybersecurity Act 2016, which is increasingly being deployed as a weapon to criminalise freedom of expression and media freedom in Malawi with broad provisions such as section 87 that criminalises publication of offensive communications and an overly broad section 91 of the Act (prohibiting cyber spamming) which has been used to target individuals for insulting the President.

Acknowledging the judiciary’s vital role in promoting fundamental rights and freedoms and ensuring that repressive laws are outlawed, PIN applauds the progressive decision. The Malawi judiciary has demonstrated this leadership with a landmark case that can lead to further legislative reforms in Malawi and inspire other African judiciaries to adopt a human rights-based approach to adjudicating over such cases.


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