Broadcasting
Nigerian Sensation Dunnie Joins Spotify’s EQUAL Africa as November’s Artist Ambassador

Spotify is thrilled to announce Dunnie, the multi-talented Nigerian artist and producer, as its EQUAL Africa ambassador for the month of November. This announcement underscores Spotify’s commitment to promoting diversity and inclusivity in the music industry.

Dunnie, born Dunni Alexandra Lawal, is a remarkable Afro-fusion singer, songwriter, and record producer who has captured the hearts of audiences with her soulful and melodious sound, earning her a dedicated fanbase. With an impressive musical background, Dunnie first gained recognition as a finalist on the popular music show ‘StarThe Winner Is’ in 2014.
Since then, Dunnie has consistently exceeded expectations by writing, producing, and providing background vocals for both international and local award-winning artists such as Burna Boy, Yemi Alade, Kidi, Falz, Oxlade, Becca, Busiswa, Sean Tizzle, and more.
She gained fame for her hit singles, including Overdose featuring Oxlade, Already Won featuring Chike, and her recent release, DND. Her past collaborations have been highly successful, leading to a nomination at the All Africa Music Awards (AFRIMA) in 2021 for her outstanding feature in “Love Song” by Busiswa. Notably, Dunnie recently produced two songs, ‘Nobody Holy’ and ‘Dues,’ for Nigerian superstar Wande Coal’s latest album, “Legend or No Legend.”
Dunnie expressed her enthusiasm for the opportunity, stating, “My experience working in a male dominated industry has been a learning curve, and although challenging, it’s been a blessing being part of the people breaking barriers in an uncharted territory.
“I am immensely honoured and grateful to be part of the EQUAL program, and I hope to inspire more women to know that they too can do whatever they put their mind to.”
Spotify remains committed to fostering diversity, equality, and inclusion within the music community, and its partnership with Dunnie as the EQUAL Africa ambassador is a testament to its dedication to this cause.
“We are delighted to have Dunnie as our EQUAL Africa ambassador for November. She embodies the spirit of diversity and creativity that we aim to champion with this initiative.
“Dunnie’s music has touched the hearts of many, and we believe that her story and her voice will inspire others within and beyond the African music community,” says Spotify’s head of music for Sub-Saharan Africa, Phiona Okumu.
Explore Dunnie’s single Jalo on the EQUAL Africa playlist, and get to know more about her with our artist Q&A below:
What is that one surprising thing your fans might not know about you?
I love cars, absolutely obsessed with cars, and I love old things, vintage houses, vintage cars, vintage fashion, old people. The older the item the better for me.
When did you realise that making music was in your destiny and what is your WHY for pursuing this craft?
Music has always been a part of my life, but it was when I was in university I discovered I could actually make a living out of this, my WHY for making music is that music has been an integral part of my communication, as a child growing up, I struggled with expressing my emotions and thoughts verbally until I discovered music, and it became my safe haven where I could express in songs the things I couldn’t say with just words. That for me is the primary reason I make music. The icing on the cake is when other people can relate with what I’m saying.
Which African songs or artists did you grow up listening to?
I grew up listening to Asa, Sunny Ade, Fela kuti, Flavour and a few others.
To someone who has never heard your music, how would you describe the sound, tone, and style?
I describe my music as a fusion of Afrobeats, soul and high life sounds. Groovy percussive beats, ethereal soulful singing and infectious melodies and harmonies.
Any advice for someone dreading following their dreams?
Starting is the hardest part, once you start it gets easier. Do not be scared of being told ‘No’, do not be scared of the obstacles, they will build your capacity. And lastly, it is a marathon not a race.
Broadcasting
MultiChoice Talent Factory Calls for Entries Into Fully Funded Film Training Programme

MultiChoice Talent Factory (MTF), a Pan-African film and television training institution, has announced the opening of applications for its 2026 intake.

MultiChoice
The fully funded programme is open to African graduates aspiring to become directors, filmmakers, scriptwriters, producers and storytellers.
According to MultiChoice, the nine-month accredited curriculum combines online learning with intensive in-person training, and is designed to balance theoretical knowledge with practical immersion.
MTF academies are located in Kenya, Nigeria and Zambia, and serve aspiring filmmakers from 14 African countries. Since its inception in 2018, the initiative has trained 296 filmmakers, with graduates producing more than 42 movies aired on DStv, GOtv and Showmax platforms.
Organisers said alumni of the programme have gone on to establish over 50 production companies, while many continue to work within the MultiChoice ecosystem.
Graduates have also won accolades at the Africa Magic Viewers’ Choice Awards, Kalasha Awards, Uganda Film Festival and Women in Film Awards.
Applications for the 2026 intake close on Feb. 27, 2026. Interested candidates can visit https://apo-opa.co/3XW53oE for programme requirements.
Broadcasting
Davido, Babajide Sanwo-Olu, Karl Toriola, Others To Be Honoured At The Most Influential People of African Descent Awards In Lagos

Most Influential People of African Descent (MIPAD) is excited to announce the Lagos Diaspora Experience 2025, a week-long celebration of African art, culture, innovation, and connection, culminating in the End of the Year Awards & Celebration on Sunday, December 21st, 2025, in Lagos, Nigeria.

The Most Influential People of African Descent Awards
This historic occasion marks the first time the world-famous Most Influential 100 Recognition & Awards Ceremony—traditionally held in New York on the sidelines of the United Nations General Assembly (UNGA)—will be hosted in Lagos, Nigeria.
The week will feature events such as Diaspora Day at the Fela Exhibition (Afrobeat Meets Diaspora), Cultural Heritage Day, and Business Leadership Luncheons, all culminating in the awards celebration.
The evening will honor the Best & Brightest of the Year, recognizing exceptional individuals and institutions whose work has advanced Global African Achievement and Black Excellence across business, government, media, culture, and technology.
Key Recognitions for 2025
– Governor of the Year & City of the Year: His Excellency Babajide Sanwo-Olu, Governor of Lagos State, honored alongside Lagos as City of the Year for its global leadership in culture, innovation, tourism, and diaspora engagement.
– Her Excellency Hannatu Musa Musawa, Minister of Art, Culture, Tourism and Creative Economy, will be honoured as Minister of the Year for her contribution to the creative economy’s role in nation branding and cultural diplomacy.
– Most Influential Woman of the Year: Olorì Atúwàtse III, Queen Consort of the Warri Kingdom
– Most Influential Man of the Year: Adewale Tinubu, Group Chief Executive, OANDO
– CEO of the Year: Karl Toriola, Chief Executive Officer of MTN Nigeria; who will deliver a keynote address, recognized for his transformative leadership and impact on Nigeria’s telecommunications and digital economy.
Others include; Karl Toriola of MTN as CEO of the year, Uche Pedro of Bella Naija as Lifestyle Personality Of The Year, Ojy Okpe of Artise News as Most Influential News Anchor Of The Year, Stephanie Busari as Media Executive of the Year, Kayode Okikiolu as Pressman of the year, Davido as Artist of the year and several others.
In celebrating this year’s honorees, Michael Ehindero, Managing Director, Pernod Ricard Nigeria, owners of Martell Cognac, who emerged as Brand Of The Year expressed deep appreciation for the brand’s continued global recognition, saying: “It’s a great reward for the team who’s delivered Martell excellently in Nigeria over the years.
“We say thank you to the teams, we say thank you to our consumers and we say thank you to MIPAD.
“Martell has a lot of promising experiences in the years to come in Nigeria and with this we invite you over to Nigeria to experience Detty December”.
The ceremony will also celebrate the achievements of the Class of 2025 Honorees, alongside past Nigerian honorees who were unable to attend their year of recognition in New York.
“For the first time, we’re bringing our world-famous recognition platform home to celebrate excellence within the Global Africa Family — right here in Lagos,” said Kamil Olufowobi, Founder & Chairman of MIPAD. “This is more than an event; it’s a movement uniting the best of us — connecting, collaborating, and working together to change the world.”
Event Details
📍 Lagos, Nigeria
– Friday, Dec 19 – #DettyDec Diaspora Day at Fela Exhibition FREE
– Sunday, Dec 21 – End of Year Recognition & Award Ceremony STRICTLY BY INVITATION
🎟️ RSVP: https://rsvp.oakenevents.com/mipad
Broadcasting
NCC Blocks Piracy Sites as Nollywood Faces Rising Digital Theft

Nigerian Copyright Commission (NCC) has called for urgent adoption of advanced digital protections after blocking seven piracy sites amid escalating online threats to Nollywood content.

The call was made during a webinar hosted by Greychapel Legal titled “Clicks, Streams, and Copyright: Who Owns Nollywood’s Digital Future?”, which brought together filmmakers, regulators, entertainment lawyers and media strategists to examine how content ownership and copyright enforcement are being reshaped by the digital age.
Lynda Alphaeus, director and head of the NCC Lagos Office, said the Commission has intensified its efforts to combat piracy across digital channels and is upgrading its operations to meet emerging threats.
According to her, Nigeria’s new Copyright Act was deliberately updated to strengthen creators’ rights amid the explosion of online distribution.
“NCC has worked, and is still working tirelessly to adapt Nigeria’s legal framework to cope with digital distribution challenges. We now have the power to block networks publishing illegal content, and we have already blocked seven websites distributing pirated Nigerian works,” Alphaeus said.
She revealed that the Commission has established a special taskforce known as the STOP Unit to coordinate anti-piracy operations online, alongside new awareness campaigns targeting local markets and schools to educate content creators and the public on copyright obligations.
Alphaeus urged filmmakers and producers to take ownership of their digital safety by deploying available technological protections to safeguard their intellectual property.
She explained that tools such as encryption help prevent unauthorised copying, blockchain technology offers immutable proof of ownership, digital watermarking allows creators to trace illegal uploads, while cloud security and regular offline backups protect creative files before they reach the market.
While noting that copyright in Nigeria does not legally require registration, she stressed that registering one’s work strengthens protection and provides legal presumptions that can be vital in enforcement.
“Whatever you register is presumed to be yours until proven otherwise,” she said, urging creators to invest in copyright knowledge as part of their business strategy.
Other speakers at the webinar reinforced the urgency of protecting Nollywood’s digital assets.
James Omokwe, film director, noted that while streaming platforms have created unprecedented opportunities for visibility and monetisation, they have also opened new vectors for intellectual property theft and unauthorised redistribution.
Solafunmi Laelle, media strategist, added that audience data, which streaming platforms rely heavily on, will increasingly determine leverage and value in film licensing negotiations.
According to her, creators who lose control of their intellectual property, whether through piracy or unfavourable contracts, also lose access to valuable data that could shape their long-term earnings.
Nky Ofeimun, entertainment lawyer, emphasised the need for creators to understand the contractual implications of ownership, platform exclusivity, and reversion rights.
She noted that many filmmakers still underestimate how quickly digital copies can be illegally duplicated or uploaded once control is lost.
The panelists agreed that as Nollywood deepens its digital footprint, piracy will continue to evolve and become more sophisticated.
They stressed that the industry must respond with equally sophisticated tools, stronger contract negotiation, and improved education around copyright.
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