Broadcasting
Top 100 Contestants Set for Nigerian Idol 5 Eviction Series

A total of 100 most outstanding contestants have been drawn to participate in the theatre auditions of the on-going season five of the Nigerian Idol TV reality show.
The contestants are pooled from the five auditions centres and are made up of the 28 golden tickets awardees and other talents whose performances the trio celebrity judges on the show adjudged exceptional at the auditions.
A total of 30 contestants from the lot is expected to emerge for the call-back phase of the competition.
To arrive at this figure, they will be grouped into sizeable numbers from which individual members will be required to perform different song lines before the celebrity judges.
Group members with best individual performances will qualify for the next round of the 3-stage theatre auditions. This process will be repeated until the final 30 emerge.
In the same vein, the Dream Studios, venue of the theatre auditions has become a den bottling up such mixed emotions of hope, disquiet, uncertainties, disappointment and palpable fear of failure among contestants.
Some of the contestants who shared their views expressed confidence in their abilities to scale the hurdle the theatre auditions present to their dream of progressing to the production stage.
“I feel happy and privileged because getting to this stage is not easy; it has been a serious task for me. I had concluded that should I get to this stage, I will strive to make it to the top 30,” stated Ogunrombi Olakunle (KPeace), who got a golden ticket to qualify for the top 100.
Another contestant from the Abuja Centre, Kelvin Oluwaseyi Audu admitted the usual signs of nervousness, but was quick to stress his readiness for the challenge.
His words, “I hope to give my best in this stage and, though, I am a bit nervous, but hopefully I will scale through.”
Also speaking on expectations from the top 100 contestants, one of the celebrity judges on the show and performing Afro Beat icon, Dede Mabiaku enjoined the contestants to make the most of the opportunity offered at this stage to advance their cause for places among the top 30 expected to emerge from the current number.
“The standard demands quality from all participants. The quality of what they have to offer is the concern here. Anyone whose performance is not up to standard will be shown the exit door, but stays, if it is above par. This stage guarantees progression to the production stage,” he said.
Yinka Davies, another judge on the show, describes the top 100 stage as a “crunch time for the contestants. In her words, “It is crunch time now. At the auditions, we played friendly with them, but that is one thing. The judges are easy and they love the contestants and want the best from them. Playing friendly with them was to help prepare them for the serious day, and now that serious day has come. It is not about survival; it is about not giving up under pressure. Now, their desire to succeed must exceed their ability to perform.”
Meanwhile, the broadcast of the Nigerian Idol season 5 on both terrestrial and satellite stations continues weekend of March 14 and 15 across the country. It promises to offer real time fun and quality entertainment to the millions of viewers and fans of the family-oriented talent-hunt show
Nigerian Idol season 5 are aired on Saturdays and Sundays on the following terrestrial and satellite TV Stations: NTA National (3.30 – 4.30 pm), STV (both DSTV and Terrestrial, 9-10 pm), Superscreen (9 pm)and Smash Tv (8pm on CONSAT). Others stations on Startimes are WAP Tv (9pm), AMC (7pm), Rave Tv (7pm), Cool Tv (9pm), Wazobia Tv (8.30pm), Real Star Tv (8pm), Oodua Tv (7pm) and V. Channels Tv (8pm).
Nigerian Idol is in its fifth season after a successful debut in 2010 won by Yeka Onka. In the following years which saw the emergence of Mercy Chinwo, Moses Adigwe and Zebili Evelyn (Evelle), it has grown in popularity and followership on the basis of the unique platforms it offers to young Nigerians with exceptional music talent. It is the only music TV reality show in Nigeria with a global appeal that currently cuts across 46 countries.
Nigerian Idol focuses on discovering Nigerian youths with talent in music and giving them a unique platform to take shots at stardom. The eventual winner goes home with N7.5 million cash reward, a brand new car, a recording deal worth N7.5 million and some high-end devices.
Broadcasting
NCC Warns DJs: Playing Music Without License Could Lead to 5-Year Jail Term

Nigerian Copyright Commission (NCC) has warned disc jockeys (DJs) against publicly playing music without proper authorization or a valid license.
NAN reports that John Asein, NCC director-general, gave the warning in an advisory issued in Abuja.
He said the commission’s attention had been drawn to the growing practice of DJs playing music in public spaces without obtaining copyright licences from their approved collective management organisations (CMOs).
Asein said under sections 9 and 12 of the Copyright Act, 2022, only the owner of copyright in a musical work or sound recording has the exclusive right to reproduce, perform, or communicate it to the public.
The NCC threatened to prosecute defaulters in a case that could lead to a N1 million fine or a 5-year jail term upon conviction.
“Engaging in any of these acts without the owner’s authorisation constitutes an infringement under the Act,” he said.
“Such infringement may constitute a civil wrong or a criminal offence under section 44 (7), punishable upon conviction by a fine of not less than N1 million or imprisonment for a term of not less than five years or to both.”
Asein advised DJs to obtain the necessary licences and pay royalties to the approved CMO before performing music publicly.
The NCC director-general added that the commission will arrest and prosecute anyone found violating the law.
“For the avoidance of doubt, the approved CMO for musical works and sound recordings in Nigeria is the Musical Copyright Society, Nigeria (MCSN),” he said.
“The Commission is aware that the Disc Jockey’s Association of Nigeria (DJAN), as the umbrella body representing DJs in Nigeria, has entered into a Memorandum of Understanding with MCSN.
“Under the arrangement, DJAN is authorised to work with MCSN to facilitate the payment of royalties by DJs nationwide, based on the tariff that DJAN had negotiated with MCSN.”
Broadcasting
Netflix Hikes Subscription Fees Again in Nigeria over “Market Conditions”

Netflix has increased its subscription fees in Nigeria for the third time since 2024, with the Premium Plan rising by 21.43%, from ₦7,000 to ₦8,500 per month.
This marks the streaming platform’s first price adjustment in 2025.
Other subscription tiers have also been affected.
The Standard Plan now costs ₦6,500, up from ₦5,500—a hike of 18.18%.
The Basic Plan has increased from ₦3,500 to ₦4,000, while the Mobile Plan moved from ₦2,200 to ₦2,500, reflecting increases of 14.29% and 13.64% respectively.
The latest adjustment aligns with Netflix’s broader global pricing strategy, which the company has linked to its ongoing investment in content and platform development. In a previous communication to investors, Netflix stated, “As we invest in and improve Netflix, we’ll occasionally ask our members to pay a little extra to reflect those improvements. Which in turn helps drive the positive flywheel of additional investment to further improve and grow our service.”
While the company did not explicitly cite inflation in its most recent update, its website indicates that local economic factors influence its pricing structure.
“Price changes are made to respond to local market changes, such as changes to local taxes or inflation,” the statement read.
The move mirrors similar pricing shifts among other major digital and entertainment services in Nigeria.
Companies including Google, DSTV, GOtv, and Microsoft have also raised subscription rates, attributing their decisions to continued inflationary pressures and a weakening naira.
Broadcasting
NBC, Nigcomsat Launch Satellite Plan to Transform Broadcasting

National Broadcasting Commission (NBC) and Nigerian Communications Satellite Limited (NIGCOMSAT) have jointly introduced “The Big Picture’, a flagship initiative under Nigeria’s renewed Digital Switchover (DSO) project.
Under the project, Nigerian households will for the first time, gain access to high-quality digital broadcasts via affordable satellite dishes, hybrid devices, and internet-enabled set-top boxes.
Backed by President Bola Ahmed Tinubu and in line with his Renewed Hope Agenda, this strategic shift marks a significant step toward transforming Nigeria’s broadcasting landscape by leveraging the country’s sovereign satellite infrastructure.
At the heart of the initiative is NigComSat-1R, Nigeria’s only communications satellite in orbit, which will play a critical role in delivering Direct-to-Home (DTH) broadcasts across the entire Nigerian territory.
This satellite-first approach eliminates the traditional dependence on terrestrial transmission towers, accelerating the nationwide rollout of digital broadcasting by over 65%.
It also offers a scalable, cost-effective, and future-ready model for expanding digital access and promoting national storytelling.
Key figures, including: Charles Ebuebu, director-general, NBC; and Jane Nkechi Egerton-Idehen, managing director, Nigcomsat, have welcomed this forward-thinking strategy, emphasising its importance in maximising the use of national satellite assets and ensuring inclusive access to digital content.
An estimated 10 million homes equipped with DVB-S2-compatible televisions or decoders will have immediate access to free-to-air channels, while others will benefit from next-generation hybrid devices that combine satellite feeds with online streaming capabilities.
These new branded devices are designed with the country’s youth-dominated demographic in mind over 60% of the population is under the age of 25.
They will feature pre-installed apps, voice search functionality, parental controls, and seamless integration with NigComSat’s Electronic Programme Guide (EPG), offering an intuitive and engaging user experience.
In a data-driven upgrade to Nigeria’s broadcasting ecosystem, NBC is also partnering with global analytics firm GARB to introduce real-time audience measurement technology.
This will enable broadcasters, advertisers and content creators to analyse viewership trends across regions and devices, helping to tailor content more effectively and drive higher audience engagement. The introduction of this system is expected to boost advertising revenue by as much as 300% by 2026.
The success of “The Big Picture” will rely on robust collaboration between public and private stakeholders.
The Broadcasting Organisation of Nigeria (BON) and other content partners are expected to supply 60% of programming for the new 120-channel platform, using both original and repurposed content.
Meanwhile, local manufacturers will contribute by producing around 5 million compliant devices annually, a move projected to create over 20,000 jobs in assembly plants nationwide.
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