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Broadcasting

IFC Partners with Triggerfish to Boost Africa’s Animation Sector

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In order to support the growth of Africa’s creative sector and to bring local African stories to the world, IFC has signed a collaboration agreement with Triggerfish, a globally recognized animation studio founded in South Africa.

Triggerfish creates premium animated content for prominent global studios such as BBC, eOne, Lucasfilm, Magic Light Pictures, Netflix, and The Walt Disney Company.

The collaboration agreement will bring IFC’s market expertise to help Triggerfish with its growth strategy so that it can expand its operations, creating new jobs and opportunities in Africa to upskill local talent, particularly for women and youth.

“We are thrilled to be working with Triggerfish to set the stage for a new chapter of growth,” said Makhtar Diop, IFC Managing Director. “This partnership underscores IFC’s commitment to unlock the potential of creative industries and support economic development and job creation in Africa, particularly for women and youth.”

Triggerfish CEO Stuart Forrest said: “At a time when the demand for local African content is booming, this partnership with IFC is a significant step that will propel the growth of the local animation sector and position the industry to reach its true potential.”

The global animation and VFX market was valued at US$ 167.9 billion in 2021 and is expected to reach US$ 401.0 billion by 2030, according to a study by Report Ocean.  The sector in Africa faces problems realizing its potential because of challenges accessing funding, a lack of cutting-edge technology, and limited distribution networks.

The partnership with Triggerfish is another important milestone in IFC’s commitment to support the creative industries sector in emerging markets.

IFC recently signed an agreement with Sony Group Corporation to identify investment opportunities in companies in the creative industries in Africa to support new economic opportunities and create jobs. In June, IFC committed up to $75 million to DNEG, a world-leading visual effects and animation company in India to expand its cutting-edge VFX and animation services.

 


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Broadcasting

KongaFM Basks in Rave Reviews from Nigerians

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KongaFM -103.7, Africa’s pioneering hit music and commerce radio station, is reshaping the broadcasting space with utter broadcasting professionalism and Nigerians are happy.

KongaFM Basks in Rave Reviews from Nigerians

With its unique blend of music, advertisements and shopping, KongaFM is winning hearts.

Operating on terrestrial frequencies in Lagos on 103.7 and streaming online for listeners globally at www.kongafm.com, KongaFM has quickly become a favourite among audiences.

Promoters of the station are basking in the rave reviews.

Chris Uwaje, tech policy adviser, global speaker and former president of Nigerian Computer Society (NCS), said described the station as revolutionary.

“Awesome, very incredible and very futuristic entrenurship strategy. I predict very soon, KongaFm will be the numero-uno radio in Africa” he said

Louisa Olaniyi, one of Nigeria’s finest broadcasters simply said “Wow, brilliant”

Bargain hunters and shoppers are also thrilled by genuineness of deals on the station.

Nicholas Isiobi, a shopper said “I am happy with the quality and affordability of the products promoted. It is worth all my while”

Every day, the station kicked off with an exciting mix of hit music, motivational content, and commercial activities, setting itself apart as a trailblazer in the radio industry.

Grace Yusuf, one listener, mentioned how the station has positively impacted her daily routine.

“KongaFM is my go-to station every morning while commuting to work. The gospel music is great, while other content and inspiring discussions keep me motivated throughout the day,” she said.

Tunde Obaposh, currently pursuing his PhD in Robotics in Kansas, shared his experience streaming Konga FM online.

“I believe KongaFM is going to redefine the standard in the radio space. I love how they incorporate AI into their broadcasts, making the experience seamless and engaging,” he noted.

Perhaps the major standout of KongaFM and Konga.com is turning live radio broadcasts into an interactive shopping experience, allowing listeners to place orders seamlessly, even without expending much cash on data.

Nigerian shoppers now have more options with Konga.com, and most importantly, they can enjoy unbeatable prices on all items announced live on radio.

 


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Ayra Starr leads Spotify’s Nigeria Global Impact List 2025

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Ayra Starr
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Nigerian music isn’t just a local force anymore, it’s a global takeover. Spotify’s 2025 Global Impact List shows just how far Nigerian music and artists have come, with Ayra Starr leading the way.

Ayra Starr

Ayra Starr

This list celebrates the 30 Nigerian songs that have connected most powerfully with international audiences this year, highlighting the country’s ever-growing influence on the world stage.

Ayra Starr: Nigeria’s Global Hitmaker

Ayra Starr, the “Sabi Girl,” is a chart-topping force reshaping the global music scene. Her catchy hits consistently top Nigerian charts, and her influence resonates worldwide, turning her music into international anthems. This makes her a leading voice in the exciting evolution of global music, transforming the soundscape one hit at a time.

This influence is clearly evident in her chart dominance. As a Spotify RADAR and EQUAL alumna and Nigeria’s most-streamed female artist on the platform in 2024, Ayra Starr’s artistry and strategic approach to global music are undeniable. While only two of her own tracks, Last Heartbreak Song and Bad Vibes appear on the Spotify Global Impact List, her collaborative power is evident with the chart-topping success of Santa. This track, featuring her alongside producer Rvssian and Latin artist Rauw Alejandro, showcases Ayra’s ability to connect with diverse audiences and expand her reach through strategic partnerships across different markets. Her impressive showing on the list, with six entries including Commas, GOOD FEELiNGS and Hypé underscores her versatility and appeal.

Her album, The Year I Turned 21, also cemented her global reach, ranking among the top 10 most-streamed albums of the year. Santa’s undeniable popularity speaks volumes about her global appeal and influence.

The Power of Collaboration

The global reach of Nigerian music is significantly amplified by the power of collaboration. The Global Impact List underscores this crucial role, revealing that 22 of the 30 listed songs are collaborations. This demonstrates that such partnerships are not merely a trend, but a necessity for Nigerian artists seeking international success. While three of these collaborations feature fellow Nigerian artists, 19 involve partnerships with artists from other countries, highlighting how cross-continental collaborations drive global recognition. Top hits like Santa, WE PRAY (TINI Version), and Another Vibe perfectly illustrate this collaborative power.

Spotify’s Head of Music for Sub-Saharan Africa, Phiona Okumu, notes, “Nigerian artists are breaking boundaries and the world is listening. Nigerian music has always been rich and diverse, and at Spotify, we’re proud to amplify these talents globally.”
Explore the vibrant cross-cultural sounds of Spotify’s Gone Abroad playlist that showcases exciting collaborations between international artists and the best of Nigerian and African talent.


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DSS Threatens to Sue AIT, Channels TV over Reports on ‘Invasion’ of Lagos Assembly

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Department of State Service (DSS), has threatened Africa Independent Television (AIT), and Channels Television two prominent broadcast stations with lawsuits over ‘false and malicious reports’ against the organisation.

DSS Threatens to Sue AIT, Channels TV over Reports on ‘Invasion’ of Lagos Assembly

According to the DSS, AIT, and Channels Television both aired false reports against it on the crisis that rocked the Lagos State House of Assembly on Monday.

Recall that operatives of the DSS and the Nigeria Police, on Monday, took over the Lagos State House of Assembly.

However, a letter eventually emerged, disclosing that the House had requested the DSS to strengthen security around the Assembly complex.

The letter cited reports that Mudashiru Obasa, impeached Speaker, planned to return to the position.

In a statement on Tuesday, DSS accused the broadcast stations of reporting that its operatives “stormed or invaded” the Assembly.

DSS, through Chief Ayodeji Adedipe, SAN, its lawyer, said the agency was invited to beef up security and did not invade the Assembly as reported.

The two separate letters to the broadcast stations, dated February 17, 2025, read: “First, it must be stated that our client, in carrying out its core statutory mandate of collection of intelligence for good governance and national safety and upholding and enforcing criminal laws of Nigeria, was invited to the Lagos State House of Assembly, vide a letter dated 14th February, 2025, written to it by the Acting Clerk of the said State House of Assembly. A copy of the letter is herewith attached.

“Our client was invited by the Acting Clerk to come and support the Security Operatives attached to the Lagos State House of Assembly, from Sunday, 16th of February, 2025, in order to forestall an imminent break down of law and order, following the information that the former Speaker of the House of Assembly, Rt Hon. Obasa planned to resume office on the 18 of February, 2025, a plan which he (the Acting Clerk) believed poses a potential security threat to the Assembly and its members.

“However, without any verification of the reason for the presence of our client’s officials at the Lagos State House of Assembly on the 17th of February, 2025, your organization maliciously and falsely broadcast, both on your news bulletin and print media, that our client had invaded/stormed the Lagos State House of Assembly with a view to preventing the members and speaker from entering the chamber for plenary.

“By this publication, our client which is a highly responsible and respected organization, was portrayed as an irresponsible and reckless organization, who in a Gestapo manner invaded/stormed the Lagos State House of Assembly, to support one of the feuding parties and to desecrate the hallowed chambers.

“Your publication and/or broadcast has greatly injured the character of our client and tarnished and lowered its esteemed image in the eyes of the public.

“Having regard to the fact that your broadcast was false and coupled with the fact that you did not ensure balancing in your report, as enjoined by the ethics of journalism, our client has instructed us to demand the following:

“An immediate retraction of your defamatory publication and/or broadcast on all your news platforms.

“The retraction shall be accompanied by an apology which must be published for at least five (5) times daily for three consecutive days on all your new channels and platforms, including all the social media handles to which your media house has its presence.

“Please note that, should you fail, ‘to comply with the above demands within a period of seven (7) days after the delivery of this letter to you, we shall, on behalf of our client, seek redress by pursuing both civil and criminal actions against your organization as your conduct also runs contrary to the provisions of the Nigeria’s Cybercrimes (Prohibition, Prevention, etc) Act of 2015, as amended in 2024, without further reference to you.”


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