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General News

Meta Hosts XR Exhibition to Showcase Winners of the Future Africa Grant for Extended Reality Creators

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L-R: Malik Afegbua, Future Africa Grant for Extended Reality (XR) Creator Finalist, Nigeria; Xabiso Vili, Future Africa Grant for XR Creator Finalist, South Africa; Sherry Dzinoreva, Public Policy Programs Director, Africa, Middle East and Turkey, Meta and Dylan Valley, Future Africa Grant for XR Creator Finalist, South Africa at the exclusive media viewing at the XR Exhibition event by Meta at The Wings office Complex, Lagos on Thursday, October 6, 2022.
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Meta has unveiled an exclusive XR exhibition featuring the six finalists from the Future Africa: Telling Stories, Building Worlds’programme, focused on supporting the next generation of Extended Reality (XR) creators in Africa. Developed in partnership with Africa No Filter, Electric South and Imisi 3D this forms part of Meta’s XR Programs and Research investment into XR talents across Africa. 

L-R: Malik Afegbua, Future Africa Grant for Extended Reality (XR) Creator Finalist, Nigeria; Xabiso Vili, Future Africa Grant for XR Creator Finalist, South Africa; Sherry Dzinoreva, Public Policy Programs Director, Africa, Middle East and Turkey, Meta and Dylan Valley, Future Africa Grant for XR Creator Finalist, South Africa at the exclusive media viewing at the XR Exhibition event by Meta at The Wings office Complex, Lagos on Thursday, October 6, 2022.

With a focus on owning and shifting the African narrative, whilst telling compelling African stories that are contemporary and immersive, the finalists have developed a range of immersive digital experiences rooted in African culture across various media formats including 360 video, AR/VR and Mixed Reality.

 The experiences showcased include: 

●        Malik Afegbua, Nigeria: Malik’s ‘Moving Between’ is a 360 documentary that presents a virtual heritage experience of the Kofar-Mata dye pit, a cultural and historical site in Kano, Nigeria, by showcasing it in a three-dimensional virtual reality model. In a 5-minutes immersive experience, a deaf dancer takes the audience on a tour through the historic Kofar-Mata dye pits, using sign language instructions and dance. 

●        Xabiso Vili, South Africa: A writer, performer and new media artist, Xabiso’s ‘Black Boi meets Boogeyman’ is a multi-ending, ‘choose your adventure’ style 360° visual album. A speculative fiction piece where Black Boi, our protagonist, goes on a hero’s journey through a South Africa that needs reminding of its light to confront the Boogeyman. This 360 visual album hopes to become an access point in which artists and communities can imagine using XR artistically and intentionally for communal healing. 

●        Dylan Valley, South Africa: Dylan’s Cissie Gool House is a 360 documentary about a precarious housing occupation in a new Cape Town hospital. This 360 documentary will immerse the viewer in the occupation as if they were partaking in reclaiming the building. The film will showcase the voices of the activists and occupiers who call Cissie Gool House home and speak to those who would rather have them gone. The medium of VR will allow for greater empathy for these characters (often demonised in the press). It will impart a deeper understanding of what it means to occupy, especially when it is the only viable option you have. 

●        Nirma Madhoo, Mauritius: A fashion filmmaker, XR creator and Ph.D. candidate. Nirma’s ‘XWE,’ 360 fashion film using volumetric capture and photogrammetry is a tribute to the original stargazers of Southern Africa. It will celebrate the constellations of dispersed diasporic African identities through a Noirwave fashion performance set in a VR landscape of astrophysics. 

●        Pierre-Christophe Gam, Cameroon: Pierre is a multimedia artist who worked on ‘TOGUNA’, a hybrid (both live and online) Art installation, fusing AR/VR, film, photography, mixed-media sculpture, future-thinking and storytelling, designed to facilitate a forum for an innovative conversation on the future of the African continent. This provides a WebVR experience using AR. 

●        Michelle Angawa, Kenya: A film editor and XR creator, Michelle’s ‘1000 Shillings in Nairobi,’ a 360 fiction film is a short tragicomedy depicting a day in a Nairobian Boda rider’s life. He drifts through a series of absurd encounters in an attempt to pay a motorbike loan of KSH 1000 ($10).

Sherry Dzinoreva, Meta’s Public Policy Programs Director, Africa, Middle East, and Turkey, said: “As the next phase of this programme, we’re delighted to be unveiling this specially curated exhibition featuring the work of six talented creators from across the continent, all of whom have created beautiful, thought-provoking African stories and experiences using immersive technology.

“We know that Africa holds immense talent, which we see reflected in the experiences curated, and as we set our sights on the metaverse, we believe creators, especially those on the continent, will play a key role in unlocking its potential.”

Commenting on the Future Africa: Telling Stories, Building Worlds’ programme, Moky Makura, Executive Director, Africa No Filter added “We know the power stories have when it comes to influencing and shaping perceptions about Africa.

“That power is amplified when those stories are immersive and that is what today’s technologies offer storytellers. It’s exciting to be part of an initiative that has allowed us to tap into the future of storytelling in Africa.


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Ugo Onwuaso is an ICT enthusiast. He believes technology should be used for general good. He holds a Master of Public Administration (MPA) degree from the Lagos state University. Dear Reader, Your support matters. But we believe that technology makes life more exciting and helps improve the lives of people around Nigeria and indeed the world. That is why, we have devoted our energy to independent reportage of technology and finance and how they affect lives. Our incisive and analytical view of how technology news affects the daily life help individuals and organizations make up their minds. Quality journalism costs money. Today, we're asking that you support us to do more. Kindly support our effort to deliver technology and finance journalism to everyone in the world. Donate as little as N1,000. Bank transfers can be made to: UBA Plc 1017156876 Communication Week Media Ltd

General News

NIMASA Embraces Technology to Strengthen Regulatory Mandate

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The Nigerian Maritime Administration and Safety Agency (NIMASA) has announced its commitment to leveraging technology to enhance its regulatory functions, improve efficiency, and boost revenue generation for the Federal Government.

According to a statement by the agency’s Head of Public Relations, Osagie Edward, on Sunday, the move follows a comprehensive internal review of NIMASA’s operational systems aimed at closing gaps in monitoring and compliance.

A key component of the technological transformation is the deployment of the Maritime Enhanced Monitoring System (MEMS), which brings digital traceability to the core of Nigeria’s maritime operations.

“MEMS provides real-time visibility into vessel movements, operational logs, and regulatory interactions,” Osagie explained.

“With automated alerts, smart invoicing, and centralized data integration, NIMASA can now detect, document, and respond to maritime activities with greater precision and efficiency—eliminating unnecessary bottlenecks while strengthening compliance.”

He noted that one of the major targets for improvement is waste reception services—routine for both domestic and international vessels—which have historically lacked proper tracking.

This has resulted in unmonitored activities and substantial revenue losses. Through MEMS, each waste offload can now be logged, time-stamped, and automatically billed, ensuring environmental standards are upheld while generating consistent revenue.

Marine pollution control, another critical area under NIMASA’s mandate, has also suffered in the past from limited digital oversight.

“Without satellite tracking and automated reporting, pollution events often went unnoticed or were reported too late to mitigate environmental damage,” he said.

“Now, with modern surveillance systems, digital logbooks, and real-time alerts, NIMASA can respond swiftly to pollution incidents, recover environmental damages, and hold polluters accountable both legally and financially.”

Osagie further explained that past revenue shortfalls experienced by the agency were largely due to outdated manual processes, fragmented data systems, and inadequate digital enforcement tools—factors that external actors exploited for personal gain.

“The ongoing reforms at NIMASA are designed to overcome these systemic weaknesses. By investing in digital infrastructure and streamlining monitoring systems, the agency is positioning itself to fulfill its statutory obligations with greater transparency, efficiency, and accountability,” he added.

Responding to recent reports claiming the agency had commenced a concession of its operations, Osagie dismissed the allegations as false and misleading.

“There is no iota of truth in the reports suggesting that NIMASA has embarked on any form of concession. These are the handiwork of both internal and external elements attempting to exploit the existing system for personal benefit,” he stated.

“We urge the public to disregard these baseless claims and instead support NIMASA’s transformation journey, which aligns with the national objectives of the Ministry of Marine and Blue Economy under the Renewed Hope Agenda of President Bola Ahmed Tinubu.”

He reaffirmed NIMASA’s commitment to enhancing maritime governance, environmental protection, and revenue optimization for national development.


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Nigerian Tech Prodigy sets World Record with Smallest GPS Tracker

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Young Nigerian tech genius, Oluwatobi Oyinlola, has developed the world’s smallest GPS tracking device, a prototype measuring just 22.93 x 11.92 mm.

Recognised by the Guinness World Records, the device was created at the prestigious Massachusetts Institute of Technology (MIT), USA, on April 27, where he is employed as a researcher.

It has been hailed for its potential across industries, from logistics and personal safety to medical devices and wildlife monitoring.

Nigeria’s President Bola Ahmed Tinubu celebrated the feat in a post on X, praising Oyinlola for showcasing the ingenuity of the West African country’s youth. “You have just shown the world that Nigerian youth can!” he wrote.

Adding to the accolades, Minister of Communications, Innovation and Digital Economy, Bosun Tijani, lauded the innovation as a symbol of national pride and technological potential.

He commended Oyinlola’s journey, noting his early support for the young inventor’s IoT startup. “Long before this global recognition, I had the privilege of backing Oluwatobi. His journey, now continuing at MIT, is a powerful reminder of the extraordinary potential of our people,” Tijani said.

The prototype not only marks a leap in miniaturised technology but also highlights Nigeria’s growing footprint in global innovation. Bosun added that as Nigeria intensifies efforts to nurture homegrown tech talent, Oyinlola’s success is a beacon for the next generation of innovators.

“The world is only beginning to see what you’re capable of,” said the Minister.

 

 


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Africa Looks to Solar Amid Electricity Challenges

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Africa is becoming a global hub for solar energy development. The commercial and industrial sectors are driving this trend, with photovoltaic systems being installed on-site at businesses, educational institutions, and government facilities to meet energy demands.

This is according to CBi-electric: low voltage, which manufactures and supplies low voltage electrical distribution, protection, and control equipment.

2.5 gigawatts-peak (GWp) of solar capacity was built across Africa in 2024, with 194.34 GWp expected in 2025, according to the company.

Dr. Andrew Dickson, engineering executive of CBi-electric: low voltage, outlines how several reasons are hastening the continent’s transition to solar. “Energy poverty remains a major issue across Africa, with reliable grid electricity reaching only 14% of Zimbabweans, for example.”

He goes on to say that inconsistent power supply is another significant contributor, stating that “Persistent nationwide blackouts are affecting countries like Botswana, disrupting day-to-day operations. And in hydro-electric dependent countries such as Zambia, climate change is reducing water levels, leading to lower electricity generation and higher prices.”

Dickson believes that strategic system design and management are critical to realising the full potential of solar energy on the continent.

He said: “As Africa’s solar energy market continues to expand in 2025, organisations have an opportunity to capitalise on its long-term benefits. With the right technologies and safeguards in place, solar is not only a clean energy solution it’s a strategic asset that pays off.

“By combining surge protection, DC breakers, and monitoring tools, businesses can reduce unexpected costs, minimise downtime, and extend the life of their investment.”


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