Broadcasting
NBCC Appoints AFRIMA President Creative & Cultural Committee Chairman
The Nigerian-British Chamber of Commerce, NBCC has appointed the President of All African Music Awards, AFRIMA, Mr Mike Dada, as the Chairman of its Creative And Cultural Committee.
With the mandate to explore the many opportunities in the business world and Nigeria’s economy, the Chamber recently launched the Creative and Cultural Sectoral Group to further help in harnessing the economic potential of the Nigerian creative industry.
In a letter dated April 19 and signed by the President/Chairman of Council, Bisi Adeyemi, the appointment of Mr Dada takes immediate effect.
Other members of the committee include; Mrs Banke Meshida Lawal of BMPro Makeup Group, serving as the Vice-Chairman, Mrs Atinuke Olashore of PJK Nigeria Limited, Mr Olafemi Olaniyan of Collageo Communications Limited, Mr Joseph Edgar, Duke of Shomolu, Mathew Adigolo of Pureview photography, Mrs Bisi Sotunde of Busy Bee Events and Ms Kiki Okewale of KO by Kikiokewale as members.
The letter reads partly, “I look forward to your acceptance of this responsibility as it would afford the Chamber the opportunity to benefit from your wealth of experience, which I hope you will make available by your regular attendance at Committee meetings.”
According to the President of the Chamber, Bisi Adeyemi, terms of reference for the creative and cultural sectoral group include encouraging and creating a platform for collaboration amongst members of the group, fostering the growth of member organizations as well as generating B2B opportunities, organizing programs and events to showcase the diversity and robustness of the Creatives Sector. In this regard, organize an annual “NBCC Creatives and Culture Day.”
Others include reviewing the impact of government policies on the Creative and Cultural Sector and working with the Advocacy Committee to engage policymakers and enlighten members as appropriate, preparing position papers to support the Chamber’s interface with private and public sector organizations and Providing support to the Program Committee and other Committees in generating creative content for the Chamber’s program and events among others.
Mr Dada, a lawyer, a chartered Public Relations and Marketing professional as well as the Group Managing Director, Octopus Group Africa, which comprises PRM Africa Marketing and Communications Limited, Aqua gryphon Marine and Oil, Hinges Properties and Constructions, MDX Media, Gobet247.com, Backstage Pro, Simon and Blake Solicitors among others, said he and other members of the group are determined to deliver on the Committee’s mandate for the benefits of the two great countries, Nigeria and Great Britain.
He stated that the culture and creative industry are capable of creating a substantial number of jobs, reducing poverty and eliciting peace if properly harnessed.
As the Vice President of the 5th African Union Pan-African Cultural Congress (PACC5), Mr Dada, in collaboration with other highly accomplished members of the committee, is expected to bring his wealth of experience and practice over the years in multifunctional areas of Strategy, cultural diplomacy, Marketing, Perception and Brand Management, Finance, Event production, strategic Public Relations, Media Management and Law.
Banke Meshida-Lawal –Creative And Cultural Committee vice chairman
Banke Meshida-Lawal is the CEO of BMPro. Banke’s firm BMPro, derived from the name, Banke Meshida Professional, is a multi-faceted business that boasts of a cosmetic makeup line of over 40 products, a training school, a beauty advisory and an online magazine, BM/Pro.
Atinuke Olashore -Creative And Cultural Committee member
Atinuke Olashore is an accomplished entrepreneur in the garment industry. She heads PJK Ltd, a creative firm, which specialises in Design, Pattern Making, and Embroidery.
Joseph Edgar -Creative And Cultural Committee member
Renowned theatre producer and investment banker, Joseph Edgar, aka The Duke of Shomolu, is the Executive Chairman, of Duke of Shomolu Productions. His works have touched on cultural taboo issues, such as emotional infidelity, love, lust and marriage, and pseudo deity, among others. He has over 20 years of experience spread across the investment and wealth management industry.
Mathew Adigolo -Creative And Cultural Committee member
Mathew Adigolo, the CEO, of Pureview photography, is a professional photographer and retoucher. His Pureview photography offers a range of Photography and Videography services to individual and corporate clients throughout Nigeria.
Bisi Sotunde -Creative And Cultural Committee member
Bisi Sotunde (nee Padonu) is the CEO/Events Manager at BusyBee Events, a top event planning, and event management company based in Lagos, which deals in consulting, planning and coordinating weddings, corporate functions and parties.
Kiki Okewale -Creative And Cultural Committee member
Kiki Okewale, Chief Executive Officer at KO Empire, is a blogger, motivational speaker and successful fashion & style entrepreneur with HOPE Fashion and St. Kiks Couture where she styles Nigerian A-listers with class and lots of bling.
The Nigerian-British Chamber of Commerce is the foremost bilateral Chamber in Nigeria to promote trade and investment between Nigeria and Britain since its establishment in 1977.
The Chamber was set up to promote and develop Anglo-Nigeria trade relations, continually create value for its members and facilitate business-to-business relationships.
With a membership strength of 300 members whose total net worth is about N200 trillion from all sectors of the economy, made up of Nigerians and Britons, the Chamber is constantly developing a network of local branches in other parts of the country and has an NBCC-UK office presence.
The Chamber also promotes Nigerian export to the United Kingdom (UK) and the inflow of Capital and Investment into Nigeria.
Broadcasting
Copyright Commission Pledges Support to Creatives on Contracts
Dr. John O. Asein, the Director-General, Nigerian Copyright Commission (NCC), has restated the Commission’s commitment to supporting all sectors of the creative industry to reward creatives and boost the nation’s economy.
The DG NCC stated this while receiving 2024 finalists of the National IP Creative Essay Competition, organized by the World Intellectual Property Organisation (WIPO), Nigeria Office who paid a study visit to the Commission recently.
Pointing to the issue of contracts as one area that is being looked into, he emphasized that contracts should be fair and transparent with terms that are not unreasonable, enslaving or unduly onerous.
While acknowledging the long and tortuous process of statutory reform, Dr. Asein assured right owners and other stakeholders in the creative industry that the commission has commenced the process of reviewing the recently passed Copyright Act with a view to identifying areas of improvement.
In the meantime, he announced that the Commission will be putting in place administrative mechanisms to help right owners, through the provision of model contractual clauses, better negotiate and conclude contractual terms.
The Director-General also informed the visitors that the Commission has Alternative Dispute Resolution facilities to help right owners settle copyright disputes.
Congratulating the essay finalists, Dr. Asein used the opportunity to announce their induction as Copyright Ambassadors and urged them to be good representatives of the Commission and the copyright industry.
Dr. Tobi Moody, Director, WIPO Nigeria Office and leader of the delegation, informed the Commission that a total of 256 students from 68 tertiary institutions in 27 States entered for the competition, with a winner and 19 finalists emerging.
Dr. Moody disclosed that the Competition is in line with WIPO’s policy of encouraging students to research and be actively involved in Intellectual Property (IP) matters. He assured that WIPO will support the finalists with capacity building prizes and opportunities to further strengthen their engagement in the field of IP.
The theme for the 2024 essay competition is “IP and Sustainable Agriculture: Combating Food Insecurity in Nigeria”.
Mr. Ikenna Mba, a year-four law student of the University of Nigeria, Nsukka emerged the overall winner of the competition while Mr. Chinonso Izundu, a year-five law student of the University of Port Harcourt and Mr. Adekunle Olajide, a year-four law student of University of Ilorin, were first and second runners-up respectively.
Broadcasting
Prepaid debit cards can enable companies to take advantage of increased intra-African trade
By Amber Thetford
As businesses seek to expand across African borders, cashless payment solutions offer a safer method of transferring money. One offering, prepaid debit cards, provides security while mitigating many infrastructure and regulatory challenges, writes Amber Thetford, Chief Product Officer—Card issuing and processing at Onafriq.
As the African Continental Free Trade Area Agreement (AfCTA) increasingly moves into the operational phase, it is becoming clearer that part of its success lies in ensuring that entrepreneurs and small businesses can effectively trade and receive payments across borders.
As the African Union has noted, the trade area will be the biggest since the World Trade Organization was formed in 1995. Africa’s population is currently 1.2 billion people, a figure that is expected to reach 2.5 billion by 2050.
South Africa took its first step in making AfCTA a reality, when the now-former Minister of Trade, Industry, and Competition, then Ebrahim Patel, launched the implementation of the start of preferential trade this year. The South African Revenue Service also certified two consignments to Ghana and Kenya.
Yet, with trade expected to grow among members from the current between 15% and 18%, a safe way of moving money is required given the risk that cash presents. Some nine-tenths of transactions in sub-Saharan Africa are, based on World Bank information, in cash.
The large amounts of cash involved in trade are also cumbersome and difficult to physically transport between markets. Card payments, part of the digital ecosystem, can enable efficient, secure, and transparent transactions that are essential for facilitating trade.
Card payments can eliminate the need for manual intervention and reconciliation when it comes to banking and bookkeeping. This, the World Bank states, makes them, on average, three times more cost-effective than conventional purchase order costs.
While mobile money payments have greatly improved Africa’s ability to make cross-border payments, they do not meet the full scope of needs of individuals or businesses. As the United Nations points out, there are regulatory bottlenecks, while a lack of interconnectivity among mobile transactions in some countries means that people cannot transfer money across borders.
Moreover, limitations of infrastructure, accessibility, and interoperability make it difficult for their users to access the global digital economy. As a result, this type of cross-border payment can be limited.
There are solutions to these dilemmas. Prepaid cards can enable businesses and individuals to transact with global institutions and marketplaces without the need to own a bank account.
This option removes a pain point for a business that would otherwise need to accept local alternative payment methods or cash. Navigating challenges like high fees, currency shocks and a lack of access to traditional banks can be simplified through prepaid cards. This makes them a pivotal instrument that enhances Africa’s connection to the global economy.
For example, one of our customers provides payroll solutions for seafarers and cruise ships, which frequently travel to different countries. Once the card is loaded, it is very convenient for a sailor to use it as one would a normal debit card and swipe to pay for purchases or transmit money across borders.
The beauty of this option is that whoever is loading the card with money, can be based anywhere in the world, with the same also being true of the person holding the card.
Prepaid cards can also be used to manage expenses because they can be provided to managers of, for example, a bookstore, who can then make independent decisions about business-related purchases, but only up to a certain amount.
This has the added advantage of speeding up operations as there are no lengthy delays across the company when it comes to acquiring stock, while it also goes some way towards eliminating fraud as the card has a set limit.
Larger companies with staff who travel extensively can also provide gratuities for their employees, who can then cover incidental expenses without having to dip into their own pockets or bring back paperwork to be reimbursed.
A platform that simplifies a user’s ability to transfer money to cards brings the AfCTA dream closer to reality.
The versatile power of prepaid cards can be used to promote free trade between countries and unite Africa’s fragmented payment landscape.
Prepaid solutions can aid businesses seeking to operate in other African countries to thrive – making AfCTA’s aim a reality and boosting economic growth for all.
Broadcasting
First Women Radio Virtual Assistant Makes a Debut in Nigeria
Women Radio 97.1, in partnership with the Centre for Journalism Innovation and Development (CJID) and the Voice of Women Empowerment Foundation, has made history by unveiling “NIM”, Nigeria’s first Women Radio Intelligent Virtual Assistant.’
The unveiling took place during the 2024 Women Radio Summit, signalling a transformative era for radio broadcasting in Nigeria.
The initiative, which integrates artificial intelligence into traditional radio broadcasting, represents a paradigm shift in how radio content is created, distributed, and consumed. In her welcome message, Toun Okewale Sonaiya, CEO of Women Radio 97.1, shares her aims to inspire others into AI’s future, expand access to reliable information, and enhance the listener experience by blending advanced technology with human-centred communication.
The event featured some keynote speeches from:
Toyosi Akerele-Ogunsiji, founder of Rise Network, emphasised the role of science and technology in empowering women and reshaping media landscapes.
Adedeji Adekunle, programmes director of the Nigeria Media Innovation Program, discussed the critical intersection of AI, innovation, and media development in Nigeria. As well as
Sam Onigbanjo, managing director of AI Academy for Beginners, enumerates ways to upskill for maximum integration.
The summit featured an insightful panel discussion on how artificial intelligence can enhance journalism and broadcasting while upholding ethics and professionalism. Esteemed panellists included:
Motunrayo Alaka, executive director of the Wole Soyinka Centre for Investigative Journalism, stressed the need for maintaining ethical standards in AI-driven journalism.
Kayode Okikiolu, a Channels TV anchor, discussed the integration of AI in traditional media formats to engage broader audiences and highlighted AI’s potential in diversifying content delivery and improving inclusivity in media.
A highly recommended fact-checking resource was the Dubawa.ai chatbot, an app that was showcased at the summit to verify and debunk misinformation, analyse, transcribe, and document files in archives. It is the radio monitoring feature, an initiative of the Centre for Investigative Journalism Innovation and Development (CJID).
‘NIMI’, the Women Radio Intelligent Virtual Assistant, is the brainchild of technical engineer Tayo Kalejaiye.
This revolutionary AI radio host is designed to provide seamless interactions with listeners, offering valuable resources, news updates, and support for both on-air and online delivery. By combining AI with traditional broadcasting, ‘NIMI’ aims to enhance accessibility, ensuring that diverse voices are amplified and underserved communities are reached.
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