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NCC DG Calls for National Book Policy to Address New Challenges
Mr. John O. Asein, director-general of Nigerian Copyright Commission (NCC), has called on stakeholders in the book sector to work towards the formulation and adoption of a National Book Policy that would address the emerging issues in the sector.
He made the call in his remarks at a copyright webinar organised by the Commission as part of the Virtual Nigerian International Book Fair, 2020 over the weekend with the theme: “Information Technology as a Panacea for the Book Industry Sustainability Amidst the Covid-19 Pandemic”.
Mr. Asein noted that the COVID-19 pandemic presented practitioners in the book industry with an opportunity to redesign their business models, stressing that it was imperative for all those concerned to go back to the drawing board and address the new realities of today in order to guarantee a better tomorrow.
He tasked authors, publishers, printers, booksellers and others in the value chain to leverage on emerging Information and Communication Technology (ICT) tools to sustain their relevance in the industry.
According to him, the Commission has harmonised its regulatory and enforcement framework for a balanced, responsive and sustainable copyright ecosystem that would continue to meet the needs of the wider creative sector.
The Director-General disclosed that in partnership with accredited bodies, the Commission would soon roll out measures to monitor the production, importation, warehousing, distribution and sale of books, lamenting the reckless abuse by pirates.
“The Commission will also activate all provisions of the Copyright Act, including the obligation on publishers, printers, producers and manufacturers of copyright works to keep a register of works.
“Our primary objective is to provide a more congenial business environment for copyright business, check book piracy and promote effective management and enforcement of rights”, he added.
He indicated that the proposed measures followed discussions between NCC and stakeholders like the Association of Nigerian Authors (ANA), the Nigerian Publishers Association (NPA), the Booksellers Association of Nigeria (BAN); and the Chartered Institute of Professional Printers of Nigeria (CIPPON), to develop appropriate technology-based solutions to some of the lingering problems in the industry.
Noting that Nigeria ratified the Marrakesh Treaty in October 2017 to enable persons who were blind, visually impaired, or otherwise print disabled have access to published works, the Director-General also urged publishers to deploy information technology to ensure that more books were made accessible to such persons.
“We urge relevant Government agencies at Federal and State levels to adopt a policy requiring all government funded book production or procurement agreements to include an obligation that the books should also be made available in formats that blind and visually impaired persons can access”, he stated.
He assured that the Commission would partner with the Nigeria Association of the Blind to follow-up on its collaboration with the Accessible Book Consortium (ABC) of the World Intellectual Property Organization (WIPO) for the training of publishers and braille production centres to promote the production of school books in accessible formats.
He condemned the rising incidence of illicit book sharing on WhatsApp groups, rogue e-libraries and fraudulent online bookstores, especially in the wake of the pandemic and e-learning solutions that it has forced on the education system.
To this end, he assured right owners that the Commission would continue to monitor the online space and respond speedily to reports of copyright abuses.
“In the meantime, the newly established Online Inspectors Unit in the Commission’s Enforcement Department will also be taking preemptive actions to disrupt online infringements”, he said.
Speaking on the “Challenges of Copyright Enforcement in the Digital Environment”, the Commission’s Director of Enforcement, Mr. Obi Ezeilo identified outdated laws, need to collaborate with different agencies responsible for aspects of online dealings, the difficulty in identifying true copyright owners and the reluctance of online service providers to take down infringing works, as some of the problems militating against effective enforcement of copyright online.
Other challenges identified included the problem of gathering evidence to prosecute online offender; territorial nature of copyright law making it difficult to go against offenders domiciled outside Nigeria; and the frequent changes in technology in the digital environment.
Other resource persons at the webinar were the Deputy Director, Regulatory Department of NCC, Mrs. Susan Bashorun, who made a presentation on “Practical Guidelines for Copyright e-Registration System” and a Chief Copyright Officer, Mr. Kunle Olatunji, who presented a paper on “Management of Rights in Literary Works: Imperatives for the Digital Environment”.
The webinar, moderated by NCC Director of Regulatory Department, Mr. Augustine Amodu, drew participants from across different copyright related sectors.
Broadcasting
Afrobeats and Amapiano Lead Africa’s Musical Revolution
Africa’s music scene is no longer just a regional sensation, it has become the pulse of global pop culture.
As African music continues to enchant global audiences, Spotify Wrapped 2024 unveils the diverse range of genres that people now enjoy all over the world. While Afrobeats and Amapiano often dominate headlines, this year’s Wrapped data sheds light on other emerging sounds that define Africa’s music.
Reimagined histories
Hiplife and Highlife from Ghana, rooted in the country’s rich cultural history, remain highly exported due to their fusion of traditional Highlife melodies with contemporary beats that keep them globally relevant.
Artists like King Paluta, Fameye, and KiDi are leading the way in blending traditional Highlife melodies with modern sounds. Fameye’s Very Soon and King Paluta’s Aseda—a heartfelt song of gratitude—are examples of how the genre is evolving. Their fresh take on Highlife has helped drive a 54% increase in global streams, a sign of the genre’s appeal to both local and international audiences.
In Kenya, Arbantone, mainly characterized by beats from samples of Kenyan old school hits. This sound combines elements of Gengetone and old Jamaican riddims, led by a wave of young rappers who bring the raw lyricism of Gengetone. Captivating young audiences, Arbantone is quickly rising on local music charts.
Arbantone grew significantly in 2024, partially thanks to viral dance challenges on social media. Artists like Dyana Cods’ “Set It”, harnessed the genre’s infectious beats and catchy lyrics to connect with her fans. The song became one of the most popular Arbantone tracks in Kenya, securing the number 3 most streamed Arbantone track in Kenya as revealed by the 2024 Spotify Wrapped data.
Embracing experimental sounds
Nigeria’s Alté is becoming more popular abroad where it’s now the country’s fourth-most exported genre in 2024. Pronounced “uhl-teh”, a shorthand for alternative, you may have heard the experimental mix of Afrobeats, R&B, and hip-hop, with electronic influences on tracks like Soh-Soh by Odeal or Amaarae’s Wanted. The likes of Amaarae, Lady Donli and Odunsi (The Engine) paved the way for a new generation of artists like DEELA, DETO BLACK and brazy to tap into Alté’s rebellious, bold and unconventional brand of self-expression. The global success of Alté-influenced musicians like Tems, Rema and Odeal symbolises how the genre is taking its place in mainstream music culture. Countries like Ghana have embraced the sound with over 60 billion Spotify streams, and Alté now has 41% more global plays than it did a year ago.
South Africa’s Afro House, known for its deep rhythms and soulful vocals, has become a favourite in electronic music circles around the world. DESIREE and DJ Shimza have been instrumental in influencing the growth of Afro House. DESIREE sets blend African rhythms with modern electronic sounds, while DJ Shimza’s electrifying global performances have propelled the genre to new heights. As more artists from around the world incorporate African sounds into their music, the genre has influenced global dance floors.
Household names
Afrobeats continues to lead Africa’s music revolution, evolving rapidly and driving the movement forward. In 2024, the genre saw a significant 28% increase in global streaming. Tracks like Santa by Ayra Starr, Rauw Alejandro, and Rvssian highlight the genre’s versatility, while Calm Down by Rema and Selena Gomez underscore its widespread international appeal. Collaborations like Skillibeng and Tyla’s Jump, Gunna showcase Afrobeats’ adaptability and its growing dominance on global charts.
Amapiano, meanwhile, has emerged as Africa’s fastest-growing genre, with a phenomenal 59% increase in global streaming in 2024.
Another sign that the future of global music will undoubtedly feature even more beats, grooves, and melodies from the continent.
Broadcasting
NERC Discloses $5.7 Million Debt Owed by International Customers for Q3 2024 Electricity Supply
Nigerian Electricity Regulatory Commission (NERC) has disclosed that international customers owe $5.7 million for electricity supplied in the third quarter (Q3) of 2024.
The debtors include Paras-SBEE and Transcorp-SBEE from the Benin Republic, Mainstream-NIGELEC from Niger, and Odukpani-CEET from Togo.
Under an international treaty, Nigeria exports electricity to neighbouring countries like Benin Republic, Togo, and Niger.
In its latest quarterly report, NERC stated that market operators (MO) issued invoices totaling $12.19 million to six international firms for services rendered in Q3, out of which $6.49 million was paid.
“In 2024/Q3, the six (6) international bilateral customers purchasing power from the grid-connected GenCos made a cumulative payment of $6.49 million against the $12.19 million invoice issued to them by the MO for services rendered in 2024/Q3,” the report said.
“Similarly, the domestic bilateral customers made a cumulative payment of ₦1,566.51 million against the ₦2,100.79 million invoice issued to them by the MO for services rendered in 2024/Q3.”
NERC highlighted that some bilateral customers—both domestic and international—made payments in Q3 2024 to settle outstanding invoices from previous quarters. “Odukpani-CEET made a payment of $1.33 million towards outstanding invoices from previous quarters,” the report revealed.
“Similarly, the MO received ₦31.51 million from the domestic bilateral customers (North-South/Star Pipe; ₦9.50 million and Trans-Amadi (OAU/FMPI); ₦22.01 million) towards outstanding invoices from previous quarters.”
However, NERC noted that its special customer, Ajaokuta Steel Co. Ltd, along with the host community, failed to make any payments towards the ₦1.26 billion (NBET) and ₦0.11 billion (MO) invoices received in Q3 2024.
“This continues a longstanding trend of non-payment by this customer, and the Commission has communicated the need for intervention on this issue to the relevant FGN authorities,” the commission said, warning that continued non-payment could lead to total disconnection from the national grid.
In September, Shuaibu Audu, the Minister of Steel Development, signed a memorandum of understanding (MoU) with Messrs Tyazhpromexport (TPE) for the rehabilitation, completion, and operation of the Ajaokuta Steel Plant and the National Iron Ore Mining Company (NIOMCO).
By December, Natasha Akpoti-Uduaghan, chairperson of the Senate Committee on Local Content, announced plans to commence the revitalisation of the Ajaokuta Steel Company plants in the first quarter (Q1) of 2025.
Broadcasting
QNET Collaborates with Lagos Food Bank to Aid Vulnerable Children
QNET, a global lifestyle and wellness-focused direct-selling company, has partnered with the Lagos Food Bank Initiative (LFBI), a non-profit organization dedicated to nutrition and hunger relief, to provide nutritious food and gifts to 1,000 vulnerable children in Makoko, Lagos.
This initiative is part of QNET’s end-of-year social impact activities.
Supported by QNET’s legal partner, Transblue Limited, the project is part of LFBI’s Education Enhancement Intervention for Food Insecure Students (EDUFOOD) program that addresses malnutrition and food insecurity among underserved students by providing healthy meals and essential educational resources.
A report by the United Nations International Children’s Emergency Fund (UNICEF) highlights that Nigeria has the second-highest burden of stunted children globally, with a national prevalence rate of 32% among children under five.
Furthermore, an estimated 2 million Nigerian children suffer from severe acute malnutrition (SAM).
Biram Fall, QNET’s Regional Manager for Sub-Saharan Africa, highlighted the importance of this initiative: “Guided by our principle – Raise Yourself To Help Mankind (RYTHM), we believe that education and good health for children are the cornerstones of a thriving society.
Partnering with LFBI allows us to make a tangible impact on vulnerable children’s lives, reflecting our mission to empower youths and improve communities.”
Akeem Ajisafe, Managing Director of Transblue Limited, shared his thoughts: “This collaboration not only addresses food insecurity but also brings joy to young hearts, allowing them to truly experience the spirit of Christmas. Together, we are fostering hope, joy, and a brighter future fo r all.”
Michael Sunbola, Executive Director of LFBI, expressed gratitude for the partnership:“QNET’s support empowers us to reach even more children during this season of celebration, improving their health and unlocking their potential. Together, we are building a foundation for a brighter future.”
The partnership underscores QNET’s commitment to sustainable development, aligning with the United Nations Sustainable Development Goals (SDGs), particularly Zero Hunger (SDG 2) and Quality Education (SDG 4).
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