Broadcasting
NCC Establishes Copyright and Creativity Club in Secondary School

The Nigerian Copyright Commission (NCC) has established a Copyright and Creativity Club at the Government Senior College, Ikoyi, Lagos State. The event featured the induction of students and teachers into the club as well as lectures on the Basics of Copyright, copyright-based poems and songs.
Speaking during the launch of the club, the Director of NCC Lagos Office, Mr. Matthew Ojo, who represented the Director-General, Dr. John Asein, said that establishing the clubs in secondary schools became necessary in order to enlighten the students on the laws guiding copyright and the punishment for piracy.
“The aspiration of the Director-General is that we launch the programme across the nation so that more secondary schools will have the opportunity to be introduced to the essence of copyright at the early stage,” he said.
According to hum, “The expectation is that from the beginning, the students would have been inculcated with the idea of what copyright is, how copyright is protected and what are embedded in copyright. The students will be exposed to the basics of copyright and the Copyright Act.”
The Director further explained: “The idea of launching the Copyright and Creativity Club in secondary schools is that we want to catch them young. The message to the public is that we all at any stage need an understanding of what copyright is, so that we would respect the creativity of others.”
Mr. Ojo noted that the prevalence of piracy in the country was borne out of ignorance of the principles of copyright, “but with this concept of Copyright Club, students are given the opportunity when they are still very young, to know what copyright is and why they need to respect copyright. By doing that, the larger society will benefit more from reducing the tide of piracy in Nigeria”.
While delivering a lecture on the Basics of Copyright, the Deputy Director and Head of Legal Department of the Commission’s Lagos Office, Mrs. Linda Alpheus said that the Copyright and Creativity Clubs were being established to create anti-piracy awareness among the young and future generations in the country. She added that the clubs would motivate students to imbibe the spirit of creativity and how to make a living off it.
According to her, the essence of the Copyright and Creativity Club was to integrate the students into the Commission’s advocacy and public enlightenment programmes.
“We intend to go round all the public and private schools in the state and also move to other states, because it is a nationwide programme,’’ she said.
The Deputy Director said that the clubs would motivate students to use their imagination or their original ideas to create something new and to also know their intellectual property rights.
“The Copyright and Creativity Club is a programme we have put together to bring children of like minds together. We will coach them on their innate talents like writing, scripting, sound recording, literary and artworks, singing, broadcasting and cinematography, and how they can protect their intellectual property rights,” she stated.
Mrs Alphaeus noted that one of the Commission’s objectives “is to enlighten Nigerians on the ills of pirating people’s intellectual property and the punishment for such offences”.
She said that the Commission would ensure that “Nigerians give proper attention and support to anti-piracy campaign in the country’’.
In her response, Miss Titiloluwa Oye, an S.S.S. 3 science student, commended the Commission for establishing a Copyright Club in the school and promised to join the club and preach the gospel of anti-piracy to her friends.
“Piracy is an illegal act and punishable by law, I am well enlightened now and I will ensure that I discourage my colleagues from indulging in piracy acts”, she stated.
Earlier in his address, Mr. Olatunbosun Taofeeq, a writer and representative of the Association of Nigerian Authors (ANA), had urged the students to be creative and explore their innate talent for self-reliance. He supported the establishment of the Copyright Club in the school with the sum of N50,000 and copies of his published materials.
Highlights of the event include the induction of the Vice Principal of Government Senior College, Ikoyi, Mrs. Ajagbe as the Matron of Copyright and Creativity Club of the school while Mr. Alebiosu, a teacher in the school was inducted as the Coordinator of the club. About 52 students of the school were also inducted into the club.
Broadcasting
NDPC Hides MultiChoice Privacy Violation Details Despite FOI Request- FIJ

Nigeria Data Protection Commission (NDPC) has refused to release details of the data and privacy rights violation for which it fined MultiChoice Nigeria, despite receiving a Freedom of Information (FOI) request from FIJ.
FIJ otherwise Foundation for Investigative Journalism, is an independent, not-for-profit organisation that combats injustice, holds power to account and speaks for the voiceless.
In its announcement on July 6, the NDPC said it had fined MultiChoice Nigeria N766,242,500 for breaching the data and privacy rights of subscribers and even those who are not necessarily subscribers.
FIJ emailed the data protection commission an FOI request on July 9.
The commission acknowledged the receipt of the email that same day and added: “It has been forwarded to the relevant department and we would respond soon.”
Fifteen days later, FIJ got no other response from the NDPC.
In Nigeria, FOI requests have a seven-day timeframe, and it starts counting as soon as a public institution receives a request for public information.
FIJ understands that holidays, which include a Sunday and a public holiday, are to be excluded in the computation of the timeframe.
The receiving institution is mandated, within those seven days, to either provide the requested information or explain in detail why it is unable to do so based on the provisions of the FOI Act.
Established under the Nigeria Data Protection Act 2023, the NDPC’s tasks include safeguarding data privacy, enforcing regulations and promoting responsible data handling in the country.
When the Commission announced the N766.2 million fine against MultiChoice Nigeria, it said the company had violated the privacy rights of subscribers and allowed the illegal cross-border transfer of personal data of Nigerians.
MultiChoice Nigeria operates through various subsidiaries, such as DStv and GOtv. The NDPC said it launched an investigation into the company in the second quarter of 2024.
“NDPC found, among others, that Multichoice violated the data privacy rights of subscribers and their friends who are not necessarily subscribers,” the statement issued by NDPC read in part.
“The Commission also found that Multichoice carries out illegal cross-border transfer of personal data relating to data subjects in Nigeria. The depth of data processing by Multichoice is patently intrusive, unfair, unnecessary and disproportionate.”
FIJ’s FOI request aimed to understand the extent of the data and privacy breaches committed by MultiChoice Nigeria, the remedial measures directed by the NDPC and the specific channels through which the company collected the personal data of Nigerians.
Two weeks after the request was submitted, the NDPC has refused to respond.
Section 7, sub-section 4, of the Freedom of Information Act (2011) states, “Where the government or public institution fails to give access to information or record applied for under this Act or part thereof within the time limit set out in this Act, the institution shall, for the purposes of this Act, be deemed to have refused to give access.”
According to the Act, where a case of wrongful denial of access is established, the defaulting officer or institution commits an offence and is liable on conviction to pay a N500,000 fine.
At the time of this report, there was no publicly documented case of the NDPC granting an FOI request to share more details after an investigation.
In 2023, FIJ detailed how the Nigerian government often violated the FOI Act. Journalists at top newspapers in the country noted that government agencies had a habit of disregarding FOI requests, despite being legally obligated to respond.
Broadcasting
Spotify RADAR Africa Turns the Volume Up on FOLA and Thakzin

Spotify is turning the spotlight toward the next wave of African music innovators with its latest RADAR Africa picks: Nigerian Afrobeats talent FOLA and South African Afro House DJ and producer Thakzin. As part of Spotify’s ongoing commitment to discovering and amplifying emerging voices across Sub-Saharan Africa (SSA), RADAR continues to champion boundary-pushing artists shaping the sound of tomorrow.
FOLA, born Folarin Odunlami, first caught attention with his freestyles on social media, quickly making a name for himself with his blend of Afrobeat rhythms and soulful storytelling. His breakout EP What A Feeling, featuring the Bella Shmurda-assisted hit “Who Does That,” laid the foundation for a fast-rising career that now includes collaborations with BNXN, Magixx, and BhadBoi OML. “Looking at where I’m coming from, I see every opportunity as a blessing. So, it’s a blessing to have been selected, just like others before me,” says FOLA. “I want my fans to know that in the midst of all the noise, I made something they could truly connect with, feel and share with those who mean something to them. I want everyone who listens to at the very least, recognise that they’re witnessing the early days of something truly special.”
On the southern tip of the continent, Thakzin’s journey began in Ivory Park, Johannesburg, where early jazz and kwaito influences, plus a deep respect for traditional percussion, shaped his signature sound. With co-signs from Black Coffee and international tastemakers like Laurent Garnier, his genre-defying approach to Afro House, heard in his 2023 anthem “The Magnificent Dance,” is setting global dance floors alight. Following the release of Magnificent Dance, his version of Horns In The Sun by DJ Kent became a viral hit across South Africa and gained global traction, potentially surpassing the success of Magnificent Dance itself. Thakzin’s sound is rooted in African spirituality and healing, inspired by the rhythmic power of traditional drums. Shaped by a musical upbringing and guided by his father, a keyboardist, he blends rich harmonies with percussive elements to create an immersive Afro-house experience. His music evokes emotion, movement, and ancestral energy, anchored in freedom and African expression. In recognition of his role in shaping 3-step, Thakzin was the first cover artist of Spotify’s 3 STEP playlist.
Spotify RADAR isn’t just a platform, it’s a launchpad. It reflects Spotify’s commitment to empowering local artists across SSA and delivering the best listening experience in the region. From Lagos to Johannesburg, RADAR celebrates the diversity of talent on the continent, offering artists equal access to global audiences.
“At Spotify, we believe in the power of African storytelling through music. FOLA and Thakzin are both incredibly unique artists who represent the spirit of RADAR—fresh voices with global potential,” says Phiona Okumu, Spotify’s Head of Music, Sub-Saharan Africa. “By amplifying their journeys, we hope to inspire more creators across the continent to believe in their vision and reach for bigger stages.”
With FOLA and Thakzin stepping into the spotlight, one thing is clear: Africa’s future sound is already here, and Spotify is where you find it first.
Broadcasting
Paradigm Initiative Applauds Malawi’s Judiciary for Outlawing Criminal Defamation

Paradigm Initiative (PIN) commends the decision by the High Court of Malawi, sitting as the Constitutional Court (ConCourt), which finds that section 200 of the Penal Code of Malawi, criminalising defamation, is unconstitutional. This follows a unanimous ruling by Justices Chifundo Kachale, Fiona Mwale, and Mzondi Mvula.
The decision by the three-judge bench concludes a case brought by Joshua Chisa Mbele against the Director of Public Prosecutions and the Attorney General, where the latter leveled charges against Mbele for alleged defamatory statements made regarding a public official in Malawi. In his defence, Mbele challenged the constitutionality of section 200 of the Penal Code of Malawi, which criminalised defamation, arguing that this provision infringed the right to freedom of expression as provided for under section 35 of the country’s Constitution, as well as running counter to Malawi’s obligations under regional and international human rights law.
In its commendable ruling, the ConCourt upheld the right to freedom of expression enshrined in the Malawian Constitution and described the punishment of imprisonment, as outlined in Section 200 of the Malawi Penal Code, as having a “chilling effect on public discourse and democratic participation.” In a ruling delivered on July 16th, 2025, the court said it did not find Section 200 of the Malawi Penal Code reasonable or necessary in light of the civil remedies available to deal with defamation.
PIN celebrates this win, having expressed concerns in the past over Malawi’s repressive laws through the Londa report on the state of digital rights and inclusion in Malawi and a joint advocacy statement calling for the repeal of laws infringing on freedom of expression.
PIN hopes that this decision will stir the legislature in Malawi to repeal laws that have a bearing on freedom of expression such as the Electronic Transactions and Cybersecurity Act 2016, which is increasingly being deployed as a weapon to criminalise freedom of expression and media freedom in Malawi with broad provisions such as section 87 that criminalises publication of offensive communications and an overly broad section 91 of the Act (prohibiting cyber spamming) which has been used to target individuals for insulting the President.
Acknowledging the judiciary’s vital role in promoting fundamental rights and freedoms and ensuring that repressive laws are outlawed, PIN applauds the progressive decision. The Malawi judiciary has demonstrated this leadership with a landmark case that can lead to further legislative reforms in Malawi and inspire other African judiciaries to adopt a human rights-based approach to adjudicating over such cases.
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