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Netflix Ramps up Investment in African Stories with Exciting Titles from the Continent for 2022, 2023

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Netflix yesterday presented a preview of what will be its programming for the end of 2022 and the beginning of 2023. Bringing together talent, filmmakers and press from South Africa and Nigeria, Netflix hosted See What’s Next Africa content showcase to spotlight its increased investment in Africa’s rich heritage of storytelling through exciting new projects that span a diverse range of genres and formats that will be available in 190 countries.

During the first half of 2022, Netflix in Africa released an exceptional slate of content from the sub-Saharan Africa region across multiple genres including the pan-African reality show Young, Famous & African, the South African action film Silverton Siege, the South African soapy drama series Savage Beauty, Netflix’s first Kenyan licensed branded series Country Queen, the first Netflix-owned Nigerian series Blood Sisters, a riveting south African crime documentary Senzo: Murder Of A Soccer Star and most recently, Justice Served.  The response has been astounding with several of these titles landing on the Netflix weekly Global Top 10 lists which rank  global and country lists for the most popular titles on our service, in addition to the Top 10 daily product rows on Netflix.

“We believe that Africa is one of the major creative centres for great storytelling that resonates around the world so it only makes sense for us to increase our investment with our slate with an even more exciting slate. We’re proud to continue creating global opportunities for the talented creatives of this great continent and sharing their authentic stories with our members in Africa and around the world.” said Dorothy Ghettuba, Netflix Director of Series in Africa.

As part of the company’s ongoing commitment to creating sustainable relationships with African storytellers, Netflix announced a multi-project partnership with acclaimed South African filmmaker Mandlakayise Walter Dube. Under the partnership, Mandla – who directed Netflix’s first commissioned African film Silverton Siege (and Kalushi) – will direct a variety of Netflix-owned projects which will be shared in due course. This partnership joins other multi-title agreements between the company and African creatives including Mo Abudu (and Ebonylife StudioS) and Kunle Afolayan (and KAP).

At the event, Netflix also gave a glimpse into the progress of the various projects being created by emerging filmmakers from the various initiatives the company introduced in the past year which include, the UNESCO & Netflix ‘African folktales, Reimagined’ Competition; the Netflix & NFVF Film Fund and the Realness Institute Episodic Lab.

Tendeka Matatu, Director of Local Language Films in Africa said, “We are working with top talent and filmmakers as well as exciting emerging voices from the continent. We are thrilled to expand our partnerships with Africa’s talented storytellers. With an ever-growing slate of series, movies and licensed content across a rich variety of best-in-class content across genres, we want to give our members more moments to share the joy that comes from being immersed in great stories made in Africa, to be watched by the world.”

At the event, Netflix previewed a diverse range of best-in-class exciting African content through exclusive promo reels and images. These include:

  • Ludik (ZA) –  Netflix’s first Afrikaans title series Ludik is set to burst onto screens globally on 26 August 2022. The racy, skop-skiet-en-donder six-part series features South African-born Hollywood actor Arnold Vosloo (Silvertone Siege) in the titular role of Daan Ludik alongside local heavyweight talents Rob Van Vuuren (Swys De Villiers), Diaan Lawrenson (Anet Ludik) and Zane Meas (Brigadier Davies).
  • The Brave Ones (ZA) -From the one and only Akin Omotoso, this supernatural drama series is set in modern-day South Africa and is inspired by African folklore. The Brave Ones launches on the 16th September 2022 – more details about this exciting series will be released in the next coming days. The series was created by renowned film director, writer and actorAkin Omotoso,  features Sthandile Nkosi, Sthandiwe Kgoroge, Bonko Khoza and Tony Kgoroge. More details about the series to follow shortly.
  • Kings of Queenstown (ZA) – Kings of Queenstown tells the tale of a young  soccer prodigy who must deal with his washed-up pro-footballer father while navigating some difficult choices. The series launches on the 4th of  November and stars Zolisa Xaluva and directed by prolific South African director  Jahmil XT Quebeka whose films, Knuckle City, Sew the Winter to My Skin and Of Good Report will also be available on Netflix later this year
  • Earlier this year at the 4th South African Investment Conference, Netflix pledged an investment commitment of over ZAR920 Million across 4 productions in South Africa for 2022-2023. The four productions included One Piece – a global live action series currently being filmed at the Cape Town Film Studios, as well as two series which Netflix shared the launch dates at the content showcase: the highly anticipated series Blood & Water (ZA) making a season 3 return in November while How to Ruin Christmas: The Baby Shower  (ZA) will premiere on 16 December. The fourth title in this investment revealed at the showcase event is the sequel of a much-loved South African film iNumber Number. iNumber Number: Fool’s Gold (ZA) is directed by Donovan Marsh (Hunter Killer, I am All Girls) and will see S’Dumo Mtshali and Presley Chweneyagae reprise their roles as buddy cops – this time, they’re tasked with cracking the biggest gold heist in African history. More details on this high-octane film will be shared closer to the launch date in 2023. 
  • Netflix also reaffirmed its commitment to reality by confirming the return of Young Famous and African (pan-Africa) which will start production soon to showcase some of Africa’s biggest stars as they go about their everyday fabulous lives. Look out for more details about the cast at a later date.

 

  • Elesin Oba, The King’s Horseman (NG) – Based on the lauded play by Nobel laureate Wole Soyinka –Death and The King’s Horseman – this film, produced by Mo Abudu and her EbonyLife production company explores the collision between Yoruba traditions and British colonialism through the experience of a king’s horseman on the most important day of his life.  The film, which will make its world premiere at the upcoming Toronto International Film Festival (TIFF) on September 10 – will launch on the service on November 4, 2022. The screen adaptation was written and directed by Biyi Bandele and stars Odunlade Adekola, Shaffy Bello and acclaimed musician Olawale ‘Brymo’ Olofooro as the Praise Singer.Entertainment fans can also look forward to Deyemi Okanlawon, Omowunmi Dada, and veteran actors, Jide Kosoko and Kevin Ushi, Jenny Stead, Mark Elderkin, Langley Kirkwood and a special appearance by acting legend Taiwo Ajai-Lycett and Ajoke Silva.

 

  • Anikulapo (NG): Anikulapo – which formed part of the netflix multi-title agreement with Kunle Afolayan – is a one of a kind mystical folklore drama revolving around the life of Saro, a young zealous man seeking for greener pasture in the great Oyo Kingdom. However, unfolding events and his illicit affair with the king’s wife, Arolake leads to his untimely death and encounter with Akala, a mystical bird believed to give and take life. The film is directed by Kunle Afolayan and features Kunle Remi, Sola Sobowale, Aisha Lawal, Bimbo Ademoye, Debo Adedayo (Mr Macaroni) and Dele Odule. The film will launch on  30 September.

Netflix has also invested in a wide variety of licensed films and series that will make their debuts on Netflix this year. These include:

  • Office Invasion (ZA, 10 August): Three friends believe their lives can’t get any worse after the mining company they work for is taken over by the owner’s degenerate son. That is, until the mine is targeted by a monstrous band of aliens looking to plunder the mine and exterminate all of its staff. A Sci-fi comedy feature directed by Gareth Crocker and Fred Wolmarans
  • Lockdown (NG, 5 August): A couple attempt a high-risk, high-stakes jewellery heist at a department store.
  • The Razz Guy (NG, 12 August): While preparing for an important business deal, an arrogant executive loses control of his voice after being cursed by an office cleaner.
  • Wild is The Wind (ZA, 28 October): In a small racially segregated town, a corrupt cop struggles to take responsibility for his part in the wrongful arrest of a black teenager charged for the brutal murder of a young Afrikaans girl. Crime drama directed by Fabian Medea and stars Mothusi Magano.
  • Disconnect 2  (KE, December): The sequel of a well-loved story about a  self-centred Otis who falls victim to a wedding scam, months after volunteering to organise a destination wedding for his Nigerian investor buddy, who will arrive with the wedding party in two days, so he desperately enlists the help of a reluctant TK and friends. Produced and directed by David ‘Tosh’ Gitonga who will also have two more stories, a film Nairobi Half Life and a series Volume launching on the service in due course (dates to be confirmed at a later date).

To further delight fans of Nigerian stories, Netflix is bringing back 31 fan-favourite films from Nigeria which will be launched every day throughout the month of August. The films making their return to the service include The Ghost and the Tout, Merry Men: The Real Yoruba Demons, Elevator Baby, The Set Up, Love Is War, Sugar Rush, Up North, Nimbe, Merry Men 2: Another Mission, Coming from Insanity, The Vendor, The Wedding Party 2: Destination Dubai, Lara and the Beat, Living in Bondage: Breaking Free, 4th Republic, Lagos Real Fake Life, Anchor Baby, Light in the Dark, It’s Her Day, Hire a Woman, Alakada Reloaded, Nigerian Prince, Black Rose, Moms at War, The Delivery Boy, New Money, Seven and a half dates, The Millions, Last Flight to Abuja, Couple of Days and Payday.

 


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Broadcasting

New WAEC Program Offers Faster Route for Students to Improve WASSCE Grades

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West African Examinations Council (WAEC) in Ghana, has announced a new initiative, which will allow students to resit their WASSCE papers as early as January and February 2025.

This is a change from the norm in Ghana, where candidates had to wait for the next private exam cycle.

The Head of Public Affairs at WAEC, John Kapi, disclosed this while speaking on JoyNews’ AM Show in Ghana.

He explained that the new programme, referred to as WASSCE PC1, provides a faster route for students to improve their grades.

“Students who access their results now and realise they need to resit one or two papers have until 8th January to register online through our website or at WAEC-accredited internet cafés. The exams will take place from 24th January to 15th February 2025,” Mr Kapi stated.

According to him, to aid candidates in their preparations, WAEC plans to expedite the release of chief examiners’ reports, saying, “These reports will provide detailed feedback on where students may have gone wrong and how they can better approach their studies and the examination process.

“We’ve advertised this programme widely through banners, our website, and our results checker platform to ensure that both students and parents are aware,” Mr Kapi added.

He said students whose results have been cancelled are also eligible to sit the WASSCE PC1 exams, provided they have not been banned for some years for malpractice.

“For now, the exams will be conducted in regional capitals due to the limited number of candidates. Prospective participants are urged to complete their registration by the 8th of January to take advantage of this opportunity.”

WAEC, however, expressed optimism that this initiative will allow candidates to quickly improve their grades and qualify for the next cycle of admissions, avoiding a year-long delay in their academic progress.


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NBC Okays Radio Station for CMCM

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Christ Miracle Church Mission (CMCM) in Ojodu Berger, Lagos, has received approval from the National Broadcasting Commission (NBC) to operate its new state-of-the-art radio station.

NBC Okays Radio Station for CMCM

The commission said the radio was ready to commence transmission after expressing satisfaction with the facility.

Mr Raphael Akpan, zonal director, NBC, stated this while leading a team of officials on an assessment tour of the radio station.

During the visit, the officials inspected the studio area, the transmitter, the inverter, the mast, the generator, and other important places.

After the tour, the zonal director spoke with reporters and expressed his pleasure at the church being granted a broadcast license to operate a radio station. He noted that this would enhance the church’s voice in the community.

The director also mentioned that the purpose of his visit was to ensure that proper procedures are followed and that the content broadcast adheres to current laws.

Akpan praised Prophet Peter Abiola Adebisi, founder of the church, along with the church council for their initiative to establish the radio station.

“From our observation, we can say that the CMCM Champion broadcasting network 90.7FM is ready for transmission.

“It is our prayer that this radio station will go places,” he said.

The zonal director emphasized the importance of proper training for the personnel working at the radio station.

He encouraged them to familiarize themselves with relevant sections of the National Broadcasting Code to ensure they are well-informed.

It is vital for studio managers to engage in self-reflection regarding their adherence to the standards outlined in the Code.

“The operators in the studio should thoroughly understand the various sections of the NBC, which cover broadcasting standards, commercials, engineering, and more,” he stated.

Prophet Adebisi commended the NBC management for granting the church permission to operate the radio station.

He mentioned that the station would promote church programs and policies, share the CMCM story with the world, train members, who have a passion for broadcast journalism, and create employment opportunities for them, among other benefits.

Additionally, Adegbie Taiwo Jordan, chief executive officer of the station, assured that the operators would comply with all broadcasting regulations set by the regulatory agency.

 


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Afrobeats and Amapiano Lead Africa’s Musical Revolution

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Africa’s music scene is no longer just a regional sensation, it has become the pulse of global pop culture.

As African music continues to enchant global audiences, Spotify Wrapped 2024 unveils the diverse range of genres that people now enjoy all over the world. While Afrobeats and Amapiano often dominate headlines, this year’s Wrapped data sheds light on other emerging sounds that define Africa’s music.

Reimagined histories

Hiplife and Highlife from Ghana, rooted in the country’s rich cultural history, remain highly exported due to their fusion of traditional Highlife melodies with contemporary beats that keep them globally relevant.

Artists like King Paluta, Fameye, and KiDi are leading the way in blending traditional Highlife melodies with modern sounds. Fameye’s Very Soon and King Paluta’s Aseda—a heartfelt song of gratitude—are examples of how the genre is evolving. Their fresh take on Highlife has helped drive a 54% increase in global streams, a sign of the genre’s appeal to both local and international audiences.

In Kenya, Arbantone, mainly characterized by beats from samples of Kenyan old school hits. This sound combines elements of Gengetone and old Jamaican riddims, led by a wave of young rappers who bring the raw lyricism of Gengetone. Captivating young audiences, Arbantone is quickly rising on local music charts.

Arbantone grew significantly in 2024, partially thanks to viral dance challenges on social media. Artists like Dyana Cods’ “Set It”, harnessed the genre’s infectious beats and catchy lyrics to connect with her fans. The song became one of the most popular Arbantone tracks in Kenya, securing the number 3 most streamed Arbantone track in Kenya as revealed by the 2024 Spotify Wrapped data.

Embracing experimental sounds

Nigeria’s Alté is becoming more popular abroad where it’s now the country’s fourth-most exported genre in 2024. Pronounced “uhl-teh”, a shorthand for alternative, you may have heard the experimental mix of Afrobeats, R&B, and hip-hop, with electronic influences on tracks like Soh-Soh by Odeal or Amaarae’s Wanted. The likes of Amaarae, Lady Donli and Odunsi (The Engine) paved the way for a new generation of artists like DEELA, DETO BLACK and brazy to tap into Alté’s rebellious, bold and unconventional brand of self-expression. The global success of Alté-influenced musicians like Tems, Rema and Odeal symbolises how the genre is taking its place in mainstream music culture. Countries like Ghana have embraced the sound with over 60 billion Spotify streams, and Alté now has 41% more global plays than it did a year ago.

South Africa’s Afro House, known for its deep rhythms and soulful vocals, has become a favourite in electronic music circles around the world. DESIREE and DJ Shimza have been instrumental in influencing the growth of Afro House. DESIREE sets blend African rhythms with modern electronic sounds, while DJ Shimza’s electrifying global performances have propelled the genre to new heights. As more artists from around the world incorporate African sounds into their music, the genre has influenced global dance floors.

Household names

Afrobeats continues to lead Africa’s music revolution, evolving rapidly and driving the movement forward. In 2024, the genre saw a significant 28% increase in global streaming. Tracks like Santa by Ayra Starr, Rauw Alejandro, and Rvssian highlight the genre’s versatility, while Calm Down by Rema and Selena Gomez underscore its widespread international appeal. Collaborations like Skillibeng and Tyla’s Jump, Gunna showcase Afrobeats’ adaptability and its growing dominance on global charts.

Amapiano, meanwhile, has emerged as Africa’s fastest-growing genre, with a phenomenal 59% increase in global streaming in 2024.

Another sign that the future of global music will undoubtedly feature even more beats, grooves, and melodies from the continent.


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